Reviews"...remarkable monograph about one of the major problems in the history of restoration...While focusing on Denmark, Brajer's comprehensive discussion and sound documentation offer well-informed theoretical and practical instruments in the safeguarding of the transferred wall paintings for other countries, too." Studies in Conservation 50(3) (2005) 239-240
IllustratedYes
Table Of ContentAcknowledgements Introduction The transfer of wall paintings as a treatment method Theoretical considerations and consequences Physical and chemical alterations Non-physical alterations The generation of collectors' items Exhibitions and homeless transfers Permanent museum collections Attitudes to the transfer of wall paintings Wall painting transfer techniques Phase 1 - Preparation The principle of using glues of varying solubility parameters Preparation of the surface The facing Counter-moulds Phase 2 - Detachment Detachment by the stacco a massello method Detachment by the stacco in situ with oil caseinate Residual facing adhesive The separation of the painting from the support Restoration of lost optical properties Restoration of lost surface configuration Conclusion Appendix Painting techniques of the transferred decorations in Denmark Historical background for wall paintings in Denmark Medieval wall paintings Frescoes Glossary Bibliography Unpublished reports and theses Index
SynopsisA detailed study of transferred wall paintings in Denmark, this volume explores historical techniques, materials, and the consequences of past transfer practices. It offers lessons and recommendations relevant to all conservators working with wall paintings today. Survey data available electronically after purchase., The heyday of detaching and transferring wallpaintings is over, a result of shifting values in conservation and the development of solutions for in situ treatment. Transfers were carried out in the past for a number of reasons - some of which may seem frivolous or unethical today. The frequency with which transferring was resorted to reflects the prevailing attitudes and limited treatment methods at that time. The transfer of a wall painting is a difficult and risky operation that affects both the material characteristics and the incorporeal qualities of the painting. Numerous examples of the negative effects of this procedure have accumulated in many countries over the centuries and today, we are left with a vast collection of misplaced, often homeless, paintings, many of which are in dire need of treatment. This volume presents a detailed study of the transferred wall paintings in Denmark. However, the material and case studies presented contain information of interest to all conservators and others working with wall paintings.While setting the historical development and theoretical aspects in context, the author also addresses in detail the various techniques and materials used in the course of the operations. In addition, the consequences of this drastic treatment are presented and illustrated by examples of damage. Recommendations for future treatments are discussed and the text is supplemented with a survey of wall painting transfers in Denmark, which has been included on a CD ROM., The heyday of detaching and transferring wallpaintings is over, a result of shifting values in conservation and the development of solutions for in situ treatment. Transfers were carried out in the past for a number of reasons - some of which may seem frivolous or unethical today. The frequency with which transferring was resorted to reflects the prevailing attitudes and limited treatment methods at that time. The transfer of a wall painting is a difficult and risky operation that affects both the material characteristics and the incorporeal qualities of the painting. Numerous examples of the negative effects of this procedure have accumulated in many countries over the centuries and today we are left with a vast collection of misplaced, often homeless, paintings, many of which are in dire need of treatment. This volume presents a detailed study of the transferred wall paintings in Denmark. However, the material and case studies presented contain information of interest to all conservators and others working with wall paintings. While setting the historical development and theoretical aspects in context, the author also addresses in detail the various techniques and materials used in the course of the operations. In addition, the consequences of this drastic treatment are presented and illustrated by examples of damage. Recommendations for future treatments are discussed and the text is supplemented with a survey of wall painting transfers in Denmark, which will be sent to you electronically after purchase., While setting the historical development and theoretical aspects in context, the author also addresses in detail the various techniques and materials used in the course of the operations. In addition, the consequences of this drastic treatment are presented and illustrated by examples of damage.