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Topics and Issues in National Cinema Ser.: Italian Style : Fashion and Film from Early Cinema to the Digital Age by Eugenia. Paulicelli (2017, Trade Paperback)
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About this product
Product Identifiers
PublisherBloomsbury Academic & Professional
ISBN-101501334921
ISBN-139781501334924
eBay Product ID (ePID)238095268
Product Key Features
Number of Pages288 Pages
LanguageEnglish
Publication NameItalian Style : Fashion and Film from Early Cinema to the Digital Age
SubjectEurope / Italy, Fashion & Accessories, Film / Direction & Production, Film / History & Criticism
Publication Year2017
TypeTextbook
AuthorEugenia. Paulicelli
Subject AreaDesign, Performing Arts, History
SeriesTopics and Issues in National Cinema Ser.
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight14.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceCollege Audience
Reviews" Eugenia Paulicelli's Italian Style: Fashion and Film from Early Cinema to the Digital Age , is a lucid and beautifully written text that promotes, with the qualitative value of its intellectual research, the engaging fields of fashion and film. This text is a must to understand their complex interrelation and influence on the construction of Italian national and cultural identity from the early 20th century to our 21st century." -La Voce di New York "An important initial assessment of the intertwined destinies of fashion and film in Italy from the start of the twentieth century to the present ... Well researched, theoretically grounded, and densely argued, this book is an important read for scholars and students of fashion and/or film." - Journal of Modern Italian Studies, This critically elegant and highly readable book tackles anew how fashion and cinema combine social history with aesthetics. Impressively well researched, Italian Style is a compelling exploration of how the fashion industry and its costume designers shaped the cultural context of national identity. With vigor and clarity, Paulicelli illuminates such films as Fellini's Roma , Antonioni's Le amiche , and Sorrentino's La grande bellezza . A must-read for anyone with an interest in cinema and passion for this glorious art., " Eugenia Paulicelli's Italian Style: Fashion and Film from Early Cinema to the Digital Age , is a lucid and beautifully written text that promotes, with the qualitative value of its intellectual research, the engaging fields of fashion and film. This text is a must to understand their complex interrelation and influence on the construction of Italian national and cultural identity from the early 20th century to our 21st century." -La Voce di New York, "This critically elegant and highly readable book tackles anew how fashion and cinema combine social history with aesthetics. Impressively well researched, Italian Style is a compelling exploration of how the fashion industry and its costume designers shaped the cultural context of national identity. With vigor and clarity, Paulicelli illuminates such films as Fellini's Roma , Antonioni's Le amiche , and Sorrentino's La grande bellezza . A must-read for anyone with an interest in cinema and passion for this glorious art." -- Gaetana Marrone, Professor of Italian, Princeton University, USA ""Paulicelli's book is a tour de force of film and fashion scholarship, a beautifully written and authoritative exploration of Italian national identity that will appeal to a wide readership. In mapping out Italy's rich cultural heritage from early twentieth century modernism, through the economic miracle years to the present day, this book sets out to do nothing less than define Italian style as embodied by the dialogue between fashion and film. That Italian Style achieves this is testament to its brilliance."" -- Stella Bruzzi, Professor of Film and Television Studies, University of Warwick, UK "Eugenia Paulicelli's Italian Style: Fashion and Film from Early Cinema to the Digital Age , is a lucid and beautifully written text that promotes, with the qualitative value of its intellectual research, the engaging fields of fashion and film. This text is a must to understand their complex interrelation and influence on the construction of Italian national and cultural identity from the early 20th century to our 21st century." -- La Voce di New York
Dewey Edition23
IllustratedYes
Dewey Decimal791.430945
Table Of ContentList of Illustrations vii Acknowledgments xi 1 Fashion, Film, Modernity 1 Nostra Dea : the goddess of fashion 1 Pirandello, cinema, and clothing: elective affinities 4 "The Tight Frock-Coat": performing dress 7 Film, costume, fashion, and intermediality 10 Italian style: fashion and film 10 2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni 19 The Futurists, fashion, film, and performance 20 Rosa Genoni: Per una moda italiana : fashioning the diva 26 3 From the Body of the Diva to the Body of the Nation 41 The Italian divas and the "gowns of emotions" 41 Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting) 48 The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica 54 Francesca Bertini (1892-1985): the glamorous embodied 63 Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915) 63 Pina Menichelli (1890-1981): "the other woman" and the end of an era 69 4 Fashion, Film, Modernity, under Fascism 77 Fashion in motion: the LUCE newsreels 81 Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929) 88 Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion city 91 Grandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan 101 Epilogue: towards a new dawn 106 5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni 113 The fabric of film: Sette canne, un vestito (1949) 113 The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche 119 The fashion show in Cronaca : a narrative mise en abyme 127 "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie ) 128 The fashion show in Le amiche : the end of the game 132 The 1960s: from costume to fashion. L'Avventura and beyond 133 Outsiders, doubles, wanderers 137 Conclusion: a visual tactility 151 6 Rome, Fashion, Film 157 From "Hollywood on the Tiber" to La Dolce Vita 157 Rome as a fashion city in the postwar years 161 La Dolce Vita 170 La Dolce Vita and its discontents 174 Roma (Fellini, 1971): space and time 175 The broken watch of history 177 The ecclesiastical fashion show 178 7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino 185 Fashion, film, and Rome today: national identity revisited 192 Appendices: The Photographic Archive by Giuseppe Palmas (1918-1977) 195 Interview with Fernanda Gattinoni, Rome, June 16, 2000 199 Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015 207 Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode , June 6, 2013 215 Adriana Berselli 227 Some notes on the set of L'avventura (1960) by Michelangelo Antonioni 227 "Cesare Attolini" and La Grande Bellezza : Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria 233 Selected Bibliography 239 Filmography 255 Index 259
SynopsisThis is the first in-depth, book-length study on fashion and Italian cinema from the silent film to the present. Italian cinema launched Italian fashion to the world. The book is the story of this launch. The creation of an Italian style and fashion as they are perceived today, especially by foreigners, was a product of the post World War II years. Before then, Parisian fashion had dominated Europe and the world. Just as fashion was part of Parisian and French national identity, the book explores the process of shaping and inventing an Italian style and fashion that ran parallel to, and at times took the lead in, the creation of an Italian national identity. In bringing to the fore these intersections, as well as emphasizing the importance of craft in cinema, fashion and costume design, the book aims to offer new visions of films by directors such as Nino Oxilia, Mario Camerini, Alessandro Blasetti, Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Paolo Sorrentino, of film stars such as Lyda Borelli, Francesca Bertini, Pina Menichelli, Lucia Bos , Monica Vitti, Marcello Mastroianni, Toni Servillo and others, and the costume archives and designers who have been central to the development of Made in Italy and Italian style., This is the first in-depth, book-length study on fashion and Italian cinema from the silent film to the present. Italian cinema launched Italian fashion to the world. The book is the story of this launch. The creation of an Italian style and fashion as they are perceived today, especially by foreigners, was a product of the post World War II years. Before then, Parisian fashion had dominated Europe and the world. Just as fashion was part of Parisian and French national identity, the book explores the process of shaping and inventing an Italian style and fashion that ran parallel to, and at times took the lead in, the creation of an Italian national identity. In bringing to the fore these intersections, as well as emphasizing the importance of craft in cinema, fashion and costume design, the book aims to offer new visions of films by directors such as Nino Oxilia, Mario Camerini, Alessandro Blasetti, Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Paolo Sorrentino, of film stars such as Lyda Borelli, Francesca Bertini, Pina Menichelli, Lucia Bosè, Monica Vitti, Marcello Mastroianni, Toni Servillo and others, and the costume archives and designers who have been central to the development of Made in Italy and Italian style.
LC Classification NumberPN1993.5.I88P38 2017
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