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About this product
Product Identifiers
PublisherManchester University Press
ISBN-100719059917
ISBN-139780719059919
eBay Product ID (ePID)2233953
Product Key Features
Number of Pages368 Pages
LanguageEnglish
Publication NameTheatre under the Nazis
SubjectTheater / History & Criticism, Political Ideologies / Fascism & Totalitarianism
Publication Year2000
TypeTextbook
Subject AreaPolitical Science, Performing Arts
AuthorJohn London
FormatTrade Paperback
Dimensions
Item Height0.8 in
Item Weight18.4 Oz
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceCollege Audience
ReviewsOffering insights into the cultural policy of a totalitarian state and governmental temptation to try to control what goes on in the arts... Choice
Dewey Edition21
IllustratedYes
Dewey Decimal792/.0943/09043
Table Of ContentIntroduction - John London 1. The birth of Nazi drama? Thing plays - William Niven 2. The history plays of the Third Reich - Glen Gadberry 3. Opera in the Nazi period - Erik Levi 4. Jewish theatre: repertory and censorship in the Jüdischer Kulturbund, Berlin - Rebeca Rovit 5. Non-German drama in the Third Reich - John London 6. Nazi performances in the occupied territories: the German Theatre in Lille - William Abbey and Katharina Havekamp Select bibliography Index
SynopsisWere the people who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers like Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grudgens and Jurgen Fehling react to the strictures of the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This book is based on detailed statistical analysis, contemporary press reports, research in German archives and interviews with surviving playwrights, actors and musicians., This is the first book to appear in English about theatre from the entire Nazi period (1933-45). It is based on detailed statistical analysis, contemporary press reports, research in German archives and interviews with surviving playwrights, actors and musicians. The volume has an extensive bibliography and is fully illustrated. It forms a much needed guide to this neglected area of European culture and will be of interest to historians, Germanists and theatre specialists. The international contributors are William J. Niven, Glen Gadberry, Erik Levi, Rebecca Rovit, William Abbey and Katharina Havekamp.