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The Cinetech Guides to the Film Crafts Ser.: Lighting for Cinematography : A Practical Guide to the Art and Craft of Lighting for the Moving Image by David Landau (2014, Trade Paperback)
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About this product
Product Identifiers
PublisherBloomsbury Academic & Professional
ISBN-101628926929
ISBN-139781628926927
eBay Product ID (ePID)171719026
Product Key Features
Number of Pages288 Pages
Publication NameLighting for Cinematography : A Practical Guide to the Art and Craft of Lighting for the Moving Image
LanguageEnglish
Publication Year2014
SubjectFilm / General, Television / Direction & Production, Techniques / Cinematography & Videography
TypeTextbook
AuthorDavid Landau
Subject AreaPerforming Arts, Photography
SeriesThe Cinetech Guides to the Film Crafts Ser.
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight26.9 Oz
Item Length9.3 in
Item Width7.4 in
Additional Product Features
Intended AudienceCollege Audience
LCCN2013-049287
Dewey Edition23
ReviewsA master class in cinematography! David Landau's conversational tone mixed with 35 years of technical experience and aesthetic prowess results in a very accessible text that should be cherished by students and professionals alike. Whether he is describing the process of lighting through a window with a 1200 HMI Par with a double scrim, 250 diffusion and 1/2 CTO or describing his method of achieving a firelight effect with several 250W Inkies with a mixture of amber and orange gels and run through a flicker box, Landau's multiple accounts from his work in the field give this book a much appreciated practicality and voice of authority that is invaluable for the emerging cinematographer. - Harlan Bosmajian, Assistant Professor of Cinematography, Emerson College, USA and Local 600 Director of Photography, "David Landau has produced an excellent text in Lighting for Cinematography which manages to cover the practicalities of production, the technical aspects of lighting and vitally the artistic importance of this work. Lighting for Cinematography is constructed to appeal and be of value to the practitioner at all levels; it is equally full of detail for careful consideration and quick hints and images for review before filming. Landau's book is helpfully crammed with instructional diagrams and the chosen images act as exemplars of technique. Lighting for Cinematography contains a series of production skills and helpful hints and exercises; these aspects are exceptionally helpful to the student of film wishing to improve their understanding and technique. I would highly recommend Lighting for Cinematography to those to wish to learn more about this field and to all those interested in the technique and process of film making." --Robert Edgar, Senior Lecturer in Film and TV Production, York St John University, UK "A master class in cinematography! David Landau's conversational tone mixed with 35 years of technical experience and aesthetic prowess results in a very accessible text that should be cherished by students and professionals alike. Whether he is describing the process of lighting through a window with a 1200 HMI Par with a double scrim, 250 diffusion and 1/2 CTO or describing his method of achieving a firelight effect with several 250W Inkies with a mixture of amber and orange gels and run through a flicker box, Landau's multiple accounts from his work in the field give this book a much appreciated practicality and voice of authority that is invaluable for the emerging cinematographer. " --Harlan Bosmajian, Assistant Professor of Cinematography, Emerson College, USA and Local 600 Director of Photography "This unique approach has been needed for a long time and there is simply no other lighting book like this in print." --Peter Stein, ASC, Student Filmmakers, David Landau has produced an excellent text in Lighting for Cinematography which manages to cover the practicalities of production, the technical aspects of lighting and vitally the artistic importance of this work. Lighting for Cinematography is constructed to appeal and be of value to the practitioner at all levels; it is equally full of detail for careful consideration and quick hints and images for review before filming. Landau's book is helpfully crammed with instructional diagrams and the chosen images act as exemplars of technique. Lighting for Cinematography contains a series of production skills and helpful hints and exercises; these aspects are exceptionally helpful to the student of film wishing to improve their understanding and technique. I would highly recommend Lighting for Cinematography to those to wish to learn more about this field and to all those interested in the technique and process of film making., David Landau has produced an excellent text in Lighting for Cinematography which manages to cover the practicalities of production, the technical aspects of lighting and vitally the artistic importance of this work. Lighting for Cinematography is constructed to appeal and be of value to the practitioner at all levels; it is equally full of detail for careful consideration and quick hints and images for review before filming. Landau's book is helpfully crammed with instructional diagrams and the chosen images act as exemplars of technique. Lighting for Cinematography contains a series of production skills and helpful hints and exercises; these aspects are exceptionally helpful to the student of film wishing to improve their understanding and technique. I would highly recommend Lighting for Cinematography to those to wish to learn more about this field and to all those interested in the technique and process of film making. - Robert Edgar, Senior Lecturer in Film and TV Production, York St John University, UK A master class in cinematography! David Landau's conversational tone mixed with 35 years of technical experience and aesthetic prowess results in a very accessible text that should be cherished by students and professionals alike. Whether he is describing the process of lighting through a window with a 1200 HMI Par with a double scrim, 250 diffusion and 1/2 CTO or describing his method of achieving a firelight effect with several 250W Inkies with a mixture of amber and orange gels and run through a flicker box, Landau's multiple accounts from his work in the field give this book a much appreciated practicality and voice of authority that is invaluable for the emerging cinematographer. - Harlan Bosmajian, Assistant Professor of Cinematography, Emerson College, USA and Local 600 Director of Photography This unique approach has been needed for a long time and there is simply no other lighting book like this in print. - Peter Stein, ASC, Student Filmmakers
IllustratedYes
Dewey Decimal777
Table Of ContentAcknowledgments Introduction: No matter how good a camera, good lighting is what sells the picture Chapter 1: The Magic of Light - What lighting does for the image and what light is. Chapter 2: Who and What Makes Light- the lighting crew, lighting units, basic electricity Chapter 3: Lighting the Subject - motivated and three point lighting Chapter 4: Light the shot, not just the subject - three plains of lighting Chapter 5: Common Practical Lighting Set-ups - cross key, chicken coop, china ball, bathrooms Chapter 6: Lighting for Movement - subject & camera, ambient soft light Chapter 7: Dealing with Daylight 1: Shooting Exteriors Chapter 8: Dealing with Daylight 2: Working with windows Chapter 9: Night Light- lighting night exteriors & interiors Chapter 10: Working with Color - using color for mood, gels Chapter 11: Light the scene, not just the shot - High Key, Low Key, contrast ratios, exposure choice, Chiaroscuro lighting, Rembrandt, Butterfly lighting Chapter 12: Special Lighting Considerations & Effects- fire, water, rain, fog, lightening, poor man's process shot, green screen, product shots, etc Chapter 13: Lighting Non-fiction - Interview, Corporate, News Magazine, Documentary, Reality Chapter 14: Inspiration and Lighting Looks Appendix 1: Tales from the Trade - interviews with professional gaffers, LDs & Cinematographers Appendix 2: Resources - Apps, books, magazines, websites, etc. Glossary Index
SynopsisWe can't shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake... Lighting for Cinematography , the first volume in the new CineTech Guides to the Film Crafts, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. Structured to mimic a 14 week semester, the chapters cover specific genres and lighting conditions and include key advice from the field. The glossary and companion website add much-needed tools for students to practice both in class and on their own., We can't shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography , the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and augments an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting. Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises to help the reader put into practice what was covered.
LC Classification NumberTR891.L36 2014
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