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About this product
Product Identifiers
PublisherUniversity of California Press
ISBN-100520276647
ISBN-139780520276642
eBay Product ID (ePID)160011198
Product Key Features
Book TitleSurfing about Music
Number of Pages240 Pages
LanguageEnglish
TopicHistory & Criticism, Philosophy & Social Aspects, United States / State & Local / West (Ak, CA, Co, Hi, Id, Mt, Nv, Ut, WY), General, Surfing, Genres & Styles / Pop Vocal
Publication Year2014
IllustratorYes
GenreMusic, Sports & Recreation, History
AuthorTimothy J. Cooley
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight12.8 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceTrade
LCCN2013-027393
Dewey Edition23
Reviews[Cooley] tells a story that is just good entertainment. It will appeal to general audiences as much as it will to surfers and fans of surf music and surf culture., Cooley, an ethnomusicologist and a surfer, finds commonalities in the ephemeral, creative qualities of the two activities.
Dewey Decimal781.5/94
Table Of ContentList of Figures List of Online Examples Acknowledgments Introduction 1. Trouble in Paradise: The History and Reinvention of Surfing 2. "Surf Music" and the California Surfing Boom: New Surfing Gets a New Sound 3. Music in Surf Movies 4. Two Festivals and Three Genres of Music 5. The Pro Surfer Sings 6. The Soul Surfer Sings 7. Playing Together and Solitary Play: Why Surfers Need Music Notes Bibliography Discography Filmography Index
SynopsisThis first major examination the interrelationships of music and surfing explores different ways that surfers combine surfing with making and listening to music. Tim Cooley uses his knowledge and experience as a practicing musician and avid surfer to consider the musical practices of surfers in locations around the world, taking into account ideas about surfing as a global affinity group and the real-life stories of surfers and musicians he encounters. In doing so, he expands ethnomusicological thinking about the many ways musical practices are integral to human socializing, creativity, and the condition of being human. Cooley discusses the origins of surfing in Hawai'i, its central role in Hawaiian society, and the mele (chants) and hula (dance or visual poetry) about surfing. He covers instrumental rock from groups like Dick Dale and the Del Tones and many others, and songs about surfing performed by the Beach Boys. As he traces trends globally, three broad styles emerge: surf music, punk rock, and acoustic singer-songwriter music. Cooley also examines surfing contests and music festivals as well as the music used in a selection surf movies that were particularly influential in shaping the musical practices of significant groups of surfers. Engaging, informative, and enlightening, this book is a fascinating exploration of surfing as a cultural practice with accompanying rituals, habits, and conceptions about who surfs and why, and of how musical ideas and practices are key to the many things that surfing is and aspires to be.