Six Great Modern Plays by Anton Chekhov, George Bernard Shaw, Tennessee Williams, Henrik. Ibsen and Arthur Miller (1956, Mass Market)

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About this product

Product Identifiers

PublisherRandom House Publishing Group
ISBN-100440379849
ISBN-139780440379843
eBay Product ID (ePID)102881195

Product Key Features

Book TitleSix Great Modern Plays
Number of Pages512 Pages
LanguageEnglish
Publication Year1956
TopicAnthologies (Multiple Authors), American / General, Russian & Former Soviet Union
GenreDrama
AuthorAnton Chekhov, George Bernard Shaw, Tennessee Williams, Henrik. Ibsen, Arthur Miller
FormatMass Market

Dimensions

Item Height0.8 in
Item Weight8.5 Oz
Item Length6.8 in
Item Width4.3 in

Additional Product Features

Intended AudienceTrade
SynopsisHere are six plays that stand as landmarks of the modern drama: Chekhov's THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben's THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw's MRS. WARREN'S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O'Casey's RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland--and in man. Williams's THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller's ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays "modern." But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless., Here are six plays that stand as landmarks of the modern drama- Chekhov's THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben's THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw's MRS. WARREN'S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O'Casey's RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland-and in man. Williams's THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller's ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays "modern." But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless.
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