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Robert Adams: Why People Photograph : Selected Essays and Reviews by Robert Adams (2005, Trade Paperback)
Brother Earl's Books (5270)
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About this product
Product Identifiers
PublisherAperture Foundation, Incorporated
ISBN-100893816035
ISBN-139780893816032
eBay Product ID (ePID)731784
Product Key Features
Book TitleRobert Adams: Why People Photograph : Selected Essays and Reviews
Number of Pages189 Pages
LanguageEnglish
TopicGeneral, Criticism, Individual Photographers / Essays
Publication Year2005
IllustratorYes
GenrePhotography
AuthorRobert Adams
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight10.9 Oz
Item Length8.3 in
Item Width5.5 in
Additional Product Features
Intended AudienceTrade
LCCN94-076843
Dewey Edition20
Reviews"With the publication of Beauty in Photography and Why People Photograph Robert Adams established himself as one of the most important and eloquent writers on photography."--Sarah Greenough, National Gallery of Art "Beyond his fabled skill as a photographer, Adams is an excellent writer. [Why People Photograph] is a book I would recommend to anyone taken with the art of photography."--Charles Desmarais, San Francisco Chronicle
Photographed byAdams, Robert
Number of Volumes1 vol.
Dewey Decimal770
SynopsisA now classic text on the art, Why People Photograph At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are., A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eug ne Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are., A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.
LC Classification NumberTR642.A274 1994
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