Table Of ContentAcknowledgments * General Editor's Preface * Introduction--Linden Peach * Self, Society, and Myth in Toni Morrison's Fiction--Cynthia A. Davies * The Crime of Innocence: Tar Baby and the Fall Myth--Terry Otten * Hagar's Mirror: Self and Identity in Morrison's Fiction--Barbara Rigney * "No Bottom and No Top": Oppositions in Sula --Madhu Dubey * Tar Baby: A Reflection of Morrison's Developed Class Consciousness--Doreatha Drummond Mbalia * Knowing Our Place: Psychoanalysis and Sula --Houston A. Baker, Jr. * Selfhood and Community: Psychoanalysis and Discourse in Beloved --Jennifer Fitzgerald * Knitting and Knotting the Narrative Thread--Beloved as Postmodern Novel--Rafael PÉrez-Torres * Daughters Signifying(g) History: The Examples of Toni Morrison's Beloved --Ashraf H. A. Rushdy * Experiencing Jazz --Eusebio L. Rodrigues * Signifying(g) Abjection: Narrative Strategies in Toni Morrison's Jazz --Angela Burton * Further Reading * Notes on Contributors * Index
Edition DescriptionRevised edition
SynopsisThe essays in this volume represent the range of different approaches which critics have taken to Toni Morrison's work. However, the essays have not neglected the traditional fare of scholarship and provide insights into the structure, themes, language and context of her novels which will prove invaluable to new readers and those already familiar with her work. The essays have been selected also for their contribution to current debates in African-American literary criticism. African-American and European critics discuss Morrison's work in relation to debates over, for example, the essentialist or syncretist nature of African-American writing, the complex nature of African-American identities, the black nationalist aesthetic, and the relevance of European and non-European critical models to black American writers., The essays in this volume represent the range of different approaches which critics have taken to Toni Morrison's work.