Picture 1 of 1
Stock photo
Picture 1 of 1
Stock photo
Musical Performance and Reception Ser.: Keyboard in Baroque Europe by Christopher Hogwood (2003, Hardcover)
StVinniesBooks (94864)
99.7% positive feedback
Price:
US $8.49
ApproximatelyRM 36.02
+ $18.49 shipping
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Condition:
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521810558
ISBN-139780521810555
eBay Product ID (ePID)2364639
Product Key Features
Number of Pages264 Pages
Publication NameKeyboard in Baroque Europe
LanguageEnglish
SubjectHistory & Criticism, General, Printed Music / Piano & Keyboard Repertoire
Publication Year2003
TypeTextbook
Subject AreaMusic
AuthorChristopher Hogwood
SeriesMusical Performance and Reception Ser.
FormatHardcover
Dimensions
Item Height0.9 in
Item Weight22.7 Oz
Item Length10 in
Item Width7.9 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2002-035016
Dewey Edition21
TitleLeadingThe
ReviewsReview of the hardback: 'The very experienced writers know how to relate particular issues to broader contexts, so there is much for the enthusiast, and several of the articles will henceforth be standards on my reading lists.' The British Clavichord Society, 'The very experienced writers know how to relate particular issues to broader contexts, so there is much for the enthusiast, and several of the articles will henceforth be standards on my reading lists.' The British Clavichord Society, Review of the hardback: 'May this collection encourage by example and stimulate further generations of Leonhardt's under-gardeners to labour for their art.' The Consort, 'May this collection encourage by example and stimulate further generations of Leonhardt's under-gardeners to labour for their art.' The Consort
IllustratedYes
Dewey Decimal786/.09032
Table Of ContentPart I. Seventeenth-Century Keyboard Music: 1. On Frescobaldi's recreation of the Chaconne and the Passacaglia Alexander Silbiger; 2. Hanß Jacob Froberger's travels 1649-1653 Rudolf Rasch; 3. New perspectives on Lynar A 1 Pieter Dirksen; 4. Creating the corpus: the 'Complete Keyboard Music' of Henry Purcell Christopher Hogwood; Part II. The Early Eighteenth Century: 5. Towards a genealogy of the keyboard concerto John Butt; 6. Couperin, Marpurg and Roeser: A Germanic Art de Toucher le Clavecin, or a French Wahre Art? Davitt Moroney; Part III. The Bach Family: 7. Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher Christoph Wolff; 8. Is there an anxiety of influence discernible in J. S. Bach's Clavierübung I? Peter Williams; 9. 'Toward the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach David Schulenberg; 10 '... welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach Peter Wollny; Part IV. The Later Eighteenth Century: 11. Schnellen: a quintessential articulation technique in eighteenth-century keyboard playing Menno van Delft; 12. Mozart's non-metrical keyboard preludes Robert D. Levin; Part V. Musical envoi: 13. J. S. Bach: Keyboard Partita in A Minor after BWV 1004 Lars Ulrik Mortensen.
SynopsisTwelve of today's most distinguished scholar-performers offer essays on new and intriguing aspects of baroque keyboard music. The volume gives a balanced picture of the latest theories and discoveries, and concludes with a new arrangement for keyboard of Bach's D minor Violin Partita, published here for the first time., Twelve of today's most distinguished scholar-performers offer essays in this volume on new and intriguing aspects of baroque keyboard music. Topics include fresh evidence on music of the seventeenth century (Frescobaldi, Froberger and Purcell), the place of the keyboard in concerted music and on comparative teaching methods (Couperin, Marpurg and Roeser), studies of the repertoire of J. S. Bach and his sons (including ornamentation in C. P. E. Bach and the Polonaises of Wilhelm Friedemann), and writing on the later eighteenth century (including Mozart) and on matters of repertoire and performance practice (continuo playing, improvisation). The volume gives a balanced picture of the latest theories and discoveries in keyboard music, of interest to both academic and performing musicians, and includes a new arrangement for keyboard of Bach's D minor Violin Partita, published here for the first time., Twelve of today's most distinguished scholar-performers present essays on Baroque keyboard music. Topics include the place of the keyboard in concerted music, comparative teaching methods, studies of the repertoire of J.S. Bach and his sons, and writing in the later eighteenth century (including Mozart) and on matters of repertoire and performance practice. The volume concludes with a new arrangement for keyboard of Bach's D minor Violin Partita, published here for the first time.
LC Classification NumberML720.1 .K49 2003
Be the first to write a review
