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Music and Sound Culture Ser.: Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century by Christian Utz (2021, Trade Paperback)
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About this product
Product Identifiers
PublisherTranscript Verlag
ISBN-103837650952
ISBN-139783837650952
eBay Product ID (ePID)24050414632
Product Key Features
Number of Pages528 Pages
LanguageEnglish
Publication NameMusical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century
SubjectHistory & Criticism, Globalization, Popular Culture
Publication Year2021
TypeTextbook
AuthorChristian Utz
Subject AreaMusic, Political Science, Social Science
SeriesMusic and Sound Culture Ser.
FormatTrade Paperback
Dimensions
Item Height0.1 in
Item Weight34.7 Oz
Item Length0.9 in
Item Width0.6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2021-375165
Reviews»Christian Utz' Monographie stellt auch acht Jahre nach der deutschen Erstausgabe eine beeindruckende Pionierleistung dar, an der alle kommenden Studien zur globalen Musikgeschichte gemessen werden müssen.«
IllustratedYes
Table Of ContentFrontmatter 1 Table of Contents 5 Preface 9 Preface to the Revised and Expanded English Edition 11 Acknowledgements 15 List of Examples, Figures, and Tables 17 1. Art Music in a Global Context 25 2. Identity Criticism and Reflexive Globalization 29 3. Discourses of Intercultural Composition 38 1. Preliminaries of an Intercultural Music Historiography 47 2. Internationalism and Universalism: Repercussions of Political and Cultural History 63 3. The Ambivalence of the Local in Twentieth-Century Music 75 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka 82 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio 114 6. Categories of Intercultural Reception in Western Composition 135 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century 155 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile 167 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 194 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s 206 5. Intercultural Narrativity in East Asian Art Music since the 1990s 235 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period 263 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ 289 2. The sh as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music 308 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song 337 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective 363 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning 385 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space 393 2. Stratification and Analysis 402 3. Intercultural and Multilingual Trajectories of the Human Voice 411 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically 428 Bibliography 441 Appendix 491 Index 497
SynopsisSince the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic., Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic., This book provides a deeper understanding of how processes of globalization, cultural exchange, and transformation are reflected in new musical structures, sounds, and communication.
LC Classification NumberML3916.U8813 2021
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