Maroon Cloud by Mitchell, Nicole (CD, 2018)

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About this product

Product Identifiers

Record LabelFper, FPE Records
UPC0857827004281
eBay Product ID (ePID)10046068044

Product Key Features

Release Year2018
FormatCD
GenreJazz
ArtistMitchell, Nicole
Release TitleMaroon Cloud

Dimensions

Item Height0.40 in
Item Weight0.25 lb
Item Length5.60 in
Item Width4.90 in

Additional Product Features

Number of Discs1
Country/Region of ManufactureUnited States
NotesMaroon cloud, a powerful eight-part suite by celebrated flutist Nicole Mitchell, is a paean to the human gift of imagination and it's ability to foster resistance in our dystopian times. It features a drum-less quartet with Mitchell, cellist Tomeka Reid, pianist Aruán Ortiz and vocalist Fay Victor, recorded live at National Sawdust in Brooklyn as part of John Zorn's Stone Commissioning Series (March 29, 2017). In part, maroon cloud refers to the realm of creativity that we can enter simply by closing our eyes - an ability no one can take away from us. "Imagination, especially black imagination, is a really vital and undervalued resource, " the composer states. "It's very clear that we can't continue in the same direction that we've gone, but we need to return to where imagination and creativity come from, because if we don't have another vision then we can't make a different future. What makes us special as human beings is our ability to imagine things that don't even exist yet." Those future-seeking visions, for now, exist in what we might call the "cloud." "Maroon, " meanwhile, has a number of meanings: it ties into the theme of resistance by referencing the Maroons - those Africans who escaped slavery in the Caribbean and banded with indigenous people to form their own communities as early as the 16th century. Mitchell also cites the alternate meaning of "marooned, " i.e., people being abandoned to their fate. And then there's maroon, the rich dark color we might see with eyes closed, imagining social and political renewal. Nicole Mitchell, a longtime Chicagoan and professor of music at the University of California-Irvine, recently received a Champion of New Music Award from the American Composers Forum. She has been hailed for her "Afrofuturist vision" and credited as "the most inventive flutist in the past 30 years of jazz" by The New York Times. Her varied projects and leadership as the first woman to chair the AACM have widened the scope of improvised music
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