Dewey Edition23
ReviewsPraise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "The matchless French crime novelist." --Adam Gopnik, The New Yorker "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "An astute observer of human nature, writing in a spare and vivid style." --Amor Towles "I never read contemporary fiction-with one exception: the works of Simenon." --T.S. Eliot "A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré "One of the most important writers of our century." --Gabriel García Márquez "A favorite writer of mine." --Sigrid Nunez "A great writer of detail, of atmosphere." --Leïla Slimani "Feels incredibly modern...A great writer." --Ian Rankin "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." Stig Abell, The Sunday Times (London), Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian (London) "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." -- Andr Gide "A supreme writer . . . unforgettable vividness." -- The Independent (London) "Superb . . . the most addictive of writers . . . a unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . marvellously readable--lucid, simple, absolutely in tune with the work he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
Synopsis"One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian When a Montmarte stripper overhears a plot to murder a countess, Inspector Maigret is on the case Arlette, a beautiful young dancer at Picratt's in Montmartre, reports to her local police station that she overheard two men at her club talking about planning to kill a countess. The police don't think much of the claim--that is, until a few hours later when Arlette is found in her room, strangled to death. The police scramble to track down the men in question, but the next day the Countess von Farnheim, a drug addict living not far from Picratt's, is found strangled. When Arlette's own identity turns out to have been falsified, Inspector Maigret steps in and must dive into Paris's seedy underbelly to discover the truth--before the killers can slip away., "A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré When a Montmarte stripper overhears a plot to murder a countess, Inspector Maigret is on the case Arlette, a beautiful young dancer at Picratt's in Montmartre, reports to her local police station that she overheard two men at her club talking about planning to kill a countess. The police don't think much of the claim--that is, until a few hours later when Arlette is found in her room, strangled to death. The police scramble to track down the men in question, but the next day the Countess von Farnheim, a drug addict living not far from Picratt's, is found strangled. When Arlette's own identity turns out to have been falsified, Inspector Maigret steps in and must dive into Paris's seedy underbelly to discover the truth--before the killers can slip away., Through the half-open door, Dr. Pasquier could be seen putting his overcoat back on and replacing his instruments in his bag. On the white goatskin rug at the foot of the untouched bed, a body was stretched out- black satin dress, chalk white arm, auburn hair. What's most moving is always an absurd detail and, in this case, what caused Maigret's a momentary stab of anguish was, next to a foot still in its high heel, a foot out of its shoe, the toes visible through a silk stocking which was covered with flecks of mud and had a ladder starting at the heel and going up over the knee.
LC Classification NumberPQ2637.I53