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Live in Willisau by Arlen / Lewis / Taylor (CD, 2020)
Rarewaves (678048)
98.7% positive feedback
Price:
US $26.25
ApproximatelyRM 110.74
+ $3.99 shipping
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About this product
Product Identifiers
Record LabelItk, Intakt Records
UPC7640120193423
eBay Product ID (ePID)24046036999
Product Key Features
Release Year2020
FormatCD
GenreClassical Artists
ArtistArlen / Lewis / Taylor
Release TitleLive in Willisau
Dimensions
Item Height0.38 in
Item Weight0.23 lb
Item Length5.52 in
Item Width4.97 in
Additional Product Features
Country/Region of ManufactureUnited States
Number of Discs1
NotesAfter the brilliant finale at the 2019 Willisau Jazz Festival with saxophonist James Brandon Lewis and drummer Chad Taylor, Lucerne journalist Pirmin Bossart wrote: "The music sought neither to preach nor impress, instead revealing itself as pure, spirited intensity. 'Yeah! Yeah!' James Brandon cries after the final note of 'Willisee' adding a jubilant 'Wow!'". The duo had just finished a track which Dewey Redman and Ed Blackwell played on the same stage in 1980, a stage where Max Roach & Archie Shepp also wrote jazz history. Lewis and Taylor pay tribute to this legacy and conjure up the spirit of Great Black Music in the very first piece with an homage to John Coltrane. New Yorker James Brandon Lewis has attracted attention in recent years with his album UnRuly Manifesto. The record was listed among the best new releases of 2019 in the USA. The "New York Times" attests him a great musical autonomy: "James Brandon Lewis, a jazz saxophonist in his 30s, raw-toned but measured, doesn't sound steeped in current jazz academy values and isn't really coming from a free-improvising perspective. There's an independence about him." The drummer Chad Taylor comes from Chicago and has played with Fred Anderson, Pharoah Sanders, Marc Ribot, Malachi Favors and Nicole Mitchel. On Intakt Records he plays on the live album with Aruan Ortiz and Brad Jones. Bossart writes: "The two musicians let us hear the great breath of an essential jazz tradition, it's clarity, raw beauty and urgency shining through, even in the melting pot of contemporary jazz debates. The musicians are not stuck in a version of the past. At every second they are part of the musical process, which shapes itself and pulses with their experiences of the here and now. This is about a continuum, occurring yesterday, today and tomorrow. Why else would jazz have retained till today it's transformative power?"
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