Isn't Anything-Gatefold Black Vinyl Remaster by My Bloody Valentine (Record, 2021)

Rarewaves (667737)
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Price:
US $44.88
ApproximatelyRM 189.48
+ $3.99 shipping
Estimated delivery Thu, 28 Aug - Wed, 3 Sep
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Condition:
New

About this product

Product Identifiers

Record LabelDomino Records UK, Dmno
UPC0887830015813
eBay Product ID (ePID)15061654957

Product Key Features

FormatRecord
Release Year2021
GenreRock
ArtistMy Bloody Valentine
Release TitleIsn't Anything-Gatefold Black Vinyl Remaster

Dimensions

Item Height0.30 in
Item Weight0.74 lb
Item Length12.40 in
Item Width12.17 in

Additional Product Features

Number of Tracks12
Country/Region of ManufactureNetherlands
Tracks1.1 Soft As Snow (But Warm Inside) 1.2 Lose My Breath 1.3 Cupid Come 1.4 (When You Wake) You're Still in a Dream 1.5 No More Sorry 1.6 All I Need 1.7 Feed Me with Your Kiss 1.8 Sueisfine 1.9 Several Girls Galore 1.10 You Never Should 1.11 Nothing Much to Lose 1.12 I Can See It (But I Can't Feel It)
Number of Discs1
NotesReissue of My Bloody Valentine's phenomencal debut album. My Bloody Valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most groundbreaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did My Bloody Valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future. With their debut album, Isn't Anything (originally released in 1988), My Bloody Valentine revolutionised alternative music and heralded a new approach to guitar music for generations to come. The album birthed a sound which became a template for thousands of new subgenres, heralding a new approach to guitar music and studio production. Not only was it a new type of music, it paved the way for a new type of journalism; inciting comparisons to elemental phenomenon, tapping into how the music affected the psyche. Shields and Butcher frequently sang in a similar vocal range that allowed their voices to blend together. This had the effect of making their gender indistinguishable, to the point where their voices could be used as another melodic layer to complement the vertigo-inducing sounds made by Shields guitars. It is a record characterised by the ominous sense of space that inhabits many of it's songs, which veered between the harried and propulsive, to the subdued and eerie.
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