Heartbreaker by Adams, Ryan (Record, 2015)

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Price:
US $129.99
ApproximatelyRM 551.12
+ $26.02 shipping
Estimated delivery Thu, 5 Jun - Wed, 18 Jun
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Condition:
New

About this product

Product Identifiers

Record LabelPAX AMERICANA, Paxa
UPC0600753583609
eBay Product ID (ePID)24046052478

Product Key Features

FormatRecord
Release Year2015
GenreRock
ArtistAdams, Ryan
Release TitleHeartbreaker

Dimensions

Item Height0.25 in
Item Weight1.25 lb
Item Length12.31 in
Item Width12.28 in

Additional Product Features

Number of Tracks15
Country/Region of ManufactureUnited States
Tracks1.1 (Argument with David Rawlings Concerning Morrisey) 1.2 To Be Young (Is to Be Sad, Is to Be High) 1.3 My Winding Wheel 1.4 Amy 1.5 Oh My Sweet Carolina 1.6 Bartering Lines 1.7 Call Me on Your Way Back Home 1.8 Damn Sam (I Love a Woman That Rains) 1.9 Come Pick Me Up 1.10 To Be the One 1.11 Why Do They Leave? 1.12 Shakedown on 9th Street 1.13 Don't Ask for the Water 1.14 In My Time of Need 1.15 Sweet Lil' Gal (23RD/1st)
Number of Discs2
NotesDouble vinyl LP pressing. Reissue of the 2000 debut solo album from the acclaimed singer/songwriter and former leader of Whiskeytown. With a touch of Robyn Hitchcock in his vocal timbre, a smidgen of Steve Earle in his narratives and instrumental writing, and a heap of Gram Parsons in the fullness of his overall sound and structure, Ryan Adams steps well above Whiskeytown with Heartbreaker. By turns raucous, wistful, raspy, and simply sweet, Adams makes the most of a top-shelf acoustic band, including Gillian Welch and David Rawlings and even a guest spot from Emmylou Harris on the tenderly yearning "Oh My Sweet Caroline." There's little dependence on the usual alt-country twang and a far more rounded sense of textures here (the multiple vocal tracks on "Amy," for example, sound Beatles-esque), with glockenspiel, organ, and more signaling a sonic field of extensive depth. His spare guitar and stretched-thin vocal delivery alternate smartly with a bigger-shouldered guitar and throaty voice, never leaving behind a band conception straight out of Parsons's oeuvre.
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