Picture 1 of 22
Stock photo
Picture 1 of 22
Stock photo
Griffith Institute Publications: Principles of Egyptian Art by Heinrich Schäfer (2002, Trade Paperback)
tabbyfav (577)
100% positive feedback
Price:
US $38.00
ApproximatelyRM 158.67
+ $29.60 shipping
Returns:
No returns, but backed by .
Condition:
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
PublisherGriffith Institute
ISBN-100900416513
ISBN-139780900416514
eBay Product ID (ePID)761758
Product Key Features
Number of Pages572 Pages
Publication NamePrinciples of Egyptian Art
LanguageEnglish
Publication Year2002
SubjectHistory / Ancient & Classical, Ancient / Egypt
TypeTextbook
Subject AreaArt, History
AuthorHeinrich Schäfer
SeriesGriffith Institute Publications
FormatTrade Paperback
Dimensions
Item Weight40.2 Oz
Item Length9.1 in
Item Width6.3 in
Additional Product Features
Edition Number4
Intended AudienceCollege Audience
IllustratedYes
SynopsisThis classic book, first published in 1919, is one of the most important works of Egyptology, and is of great significance to art historians, aestheticians, and psychologists working in related fields. In the ground-breaking study Heinrich Schafer set out to analyse and elucidate the representational conventions of Egyptian two-dimensional art, and to explain how they differ from Western conventions that have perspective at their core. He showed that Egyptian representation is based more on mental processing than on direct perception, and that the aim of Egyptian artists was to depict an object as it really is, rather than as it appears to be. Egyptian approaches to representing space were also conditioned by this aim. The author extended this fundamental insight to cover almost all apparent anomalies in the Egyptian rendering of nature. His conclusions can be compared with analyses by psychologists that are based on the very different area study of children's drawings. The observations of Schafer and other art historians, and those of psychologists, have led to a characterization of polar tendencies in pictorial representation that might be termed 'conceptual' and 'perceptual'. Schafer extended his conclusions, which were based on painting and relief, to encompass statuary, as well as providing a concluding synthesis. The present book, based on the fourth German edition of 1963, edited after the author's death by Emma Brunner-Traut, was first published in 1974. In the course of translating it, John Baines, who is Professor of Egyptology in the University of Oxford, revised the text and illustrations to take account of recent research. This reprint incorporates numerous additions and some corrections, keeping the book abreast of work in the field., This classic work discusses representations in Egyptian painting, sculpture and reliefs, assessing how objects and figures are represented in two dimensions, introducing the idea of "conceptual" and "perceptual" art. Translated from the German by John Baines, who has revised the text and illustrations to take account of recent research., This classic book, first published in 1919, is one of the most important works of Egyptology, and is of great significance to art historians, aestheticians, and psychologists working in related fields. In the ground-breaking study Heinrich Schäfer set out to analyse and elucidate the representational conventions of Egyptian two-dimensional art, and to explain how they differ from Western conventions that have perspective at their core. He showed that Egyptian representation is based more on mental processing than on direct perception, and that the aim of Egyptian artists was to depict an object as it really is, rather than as it appears to be. Egyptian approaches to representing space were also conditioned by this aim. The author extended this fundamental insight to cover almost all apparent anomalies in the Egyptian rendering of nature. His conclusions can be compared with analyses by psychologists that are based on the very different area study of children's drawings. The observations of Schäfer and other art historians, and those of psychologists, have led to a characterization of polar tendencies in pictorial representation that might be termed 'conceptual' and 'perceptual'. Schäfer extended his conclusions, which were based on painting and relief, to encompass statuary, as well as providing a concluding synthesis. The present book, based on the fourth German edition of 1963, edited after the author's death by Emma Brunner-Traut, was first published in 1974. In the course of translating it, John Baines, who is Professor of Egyptology in the University of Oxford, revised the text and illustrations to take account of recent research. This reprint incorporates numerous additions and some corrections, keeping the book abreast of work in the field.
Be the first to write a review
