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Fuentes Para La Historia Del Teatro En España Ser.: Teatro en Alicante, 1901-1910 : Cartelera y Estidio by Francisco Reus Boyd-Swan (1994, Trade Paperback)
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About this product
Product Identifiers
PublisherBoydell & Brewer, The Limited
ISBN-101855660369
ISBN-139781855660366
eBay Product ID (ePID)433897
Product Key Features
Number of Pages440 Pages
LanguageSpanish
Publication NameTeatro En Alicante, 1901-1910 : Cartelera Y Estidio
SubjectTheater / History & Criticism
Publication Year1994
TypeTextbook
Subject AreaPerforming Arts
AuthorFrancisco Reus Boyd-Swan
SeriesFuentes Para La Historia Del Teatro En España Ser.
FormatTrade Paperback
Dimensions
Item Height1.1 in
Item Weight26.8 Oz
Item Length9.6 in
Item Width6.7 in
Additional Product Features
Intended AudienceScholarly & Professional
Series Volume NumberVolume 23
Volume NumberVol. 23
IllustratedYes
SynopsisA listing of plays performed in the theatres of Alicante during the first decade of the 20th century. With this volume, the scope of the Fuentes series widens both geographically and chronologically. The first volumes dealt with Madrid, concentrating, though not exclusively, on the sixteenth and seventeenth centuries. Latervolumes covered Alcalà de Henares, Tudela and Córdoba. In the present volume Francisco Reus Boyd-Swan lists the plays performed in the theatres of Alicante during the first decade of the twentieth century.Recent critics have become aware of the need to treat the theatre of the provinces of Madrid in the nineteenth and twentieth centuries as seriously as that of the capital, and to study it in equal depth. In his Introduction the author recounts the history of the twelve theatres which were in use in the period and studies legislation affecting the theatres, special performances, times and prices of perfomances and analyses the theatre-going public and the types of plays presented. The main listing of plays is in chronological order, supported by indexes of playwrights, librettists and composers. Twelve illustrations include plans of theatres and reproductions of contemporary posters.FRANCISCO REUS BOYD-SWAN is a graduate of the Universidad Nacional de Educación a Distancia, Spain's Open University., With this volume, the scope of the Fuentesseries widens both geographically and chronologically. The first volumes dealt with Madrid, concentrating, though not exclusively, on the sixteenth and seventeenth centuries. Later volumes covered Alcal de Henares, Tudela and C rdoba. In the present volume Francisco Reus Boyd-Swan lists the plays performed in the theatres of Alicante during the first decade of the twentieth century.Recent critics have become aware of the need to treat the theatre of the provinces of Madrid in the nineteenth and twentieth centuries as seriously as that of the capital, and to study it in equal depth. In his Introduction the author recounts the history of the twelve theatres which were in use in the period and studies legislation affecting the theatres, special performances, times and prices of perfomances and analyses the theatre-going public and the types of plays presented. The main listing of plays is in chronological order, supported by indexes of playwrights, librettists and composers. Twelve illustrations include plans of theatres and reproductions of contemporary posters. FRANCISCO REUS BOYD-SWAN is a graduate of the Universidad Nacional de Educaci n a Distancia, Spain's Open University., A listing of plays performed in the theatres of Alicante during the first decade of the 20th century., A listing of plays performed in the theatres of Alicante during the first decade of the 20th century. With this volume, the scope of the Fuentesseries widens both geographically and chronologically. The first volumes dealt with Madrid, concentrating, though not exclusively, on the sixteenth and seventeenth centuries. Latervolumes covered Alcalà de Henares, Tudela and Córdoba. In the present volume Francisco Reus Boyd-Swan lists the plays performed in the theatres of Alicante during the first decade of the twentieth century. Recent critics have become aware of the need to treat the theatre of the provinces of Madrid in the nineteenth and twentieth centuries as seriously as that of the capital, and to study it in equal depth. In his Introduction the author recounts the history of the twelve theatres which were in use in the period and studies legislation affecting the theatres, special performances, times and prices of perfomances and analyses the theatre-going public and the types of plays presented. The main listing of plays is in chronological order, supported by indexes of playwrights, librettists and composers. Twelve illustrations include plans of theatres and reproductions of contemporary posters. FRANCISCO REUS BOYD-SWAN is a graduate of the Universidad Nacional de Educación a Distancia, Spain's Open University.
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