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Divine Poetry and Drama in the Sixteenth Century England by Lily B. Campbell (1959, Hardcover)
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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-10052104569X
ISBN-139780521045698
eBay Product ID (ePID)3038777958
Product Key Features
SubjectGeneral, European / English, Irish, Scottish, Welsh
Publication Year1959
Publication NameDivine Poetry and Drama in the Sixteenth Century England
LanguageEnglish
TypeTextbook
AuthorLily B. Campbell
Subject AreaLiterary Criticism
FormatHardcover
Dimensions
Item Weight17.5 Oz
Additional Product Features
Intended AudienceScholarly & Professional
IllustratedYes
Table Of ContentPreface; Introduction; Part I. Divine Poetry in Sixteenth-Century England: 1. The forerunner: Savonarola; 2. The theorist: Erasmus; 3. The Bible as English literature: Tyndale and the Catholic Opposition; 4. The first English song book: Luther and Coverdale; 5. The psalms as English poetry under Edward VI; 6. The psalms as English poetry under Elizabeth I; 7. The works of Solomon as English poetry; 8. Other books of the Bible as English poetry; 9. Du Bartas and King James and the Christian muse; 10. Du Bartas and English poets; 11. Poems about Biblical heroes; 12. Divine mirrors and related poems; 13. Divine erotic epyllia; 14. Divine sonnets; Part II. Divine Drama in Sixteenth-Century England: 1. The divine drama and the miracle play; 2. Continental origins of the divine drama in Latin; 3. Continental school drama in the vernacular; 4. Latin divine dramas in English schools; 5. Divine dramas in English universities; 6. Biblical plays for special audiences: prodigal-son plays; 7. Biblical plays for special audiences; 8. Biblical plays for the commons; 9. Biblical plays in the public theatres; Index.
SynopsisThe Reformation and the impact of the Renaissance were almost simultaneous in England. So the English versions of the Bible appeared at much the same time as the new, worldly forms of verse and drama. It was not long before serious-minded poets and playwrights used the Bible thus made available for new forms of religious verse. There was an important but neglected succession of writers who did this, culminating in Milton. The forms involved include the sonnet, the miniature epic and the popular drama. Miss Campbell treats both dramatic and non-dramatic literature. She shows that both kinds were new and not prolongations of medieval forms: the 'divine' lyric is a counterpart of the new secular lyric, and professedly hostile to it; and the 'divine' drama is an adaptation of current popular forms and not a development of the mystery play., The Reformation and the impact of the Renaissance were almost simultaneous in England. So the English versions of the Bible appeared at much the same time as the new, worldly forms of verse and drama. This book looks at the use of the Bible by writers for new forms of religious verse.
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