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Dialectics in the Arts : The Rise of Experimentalism in American Music by Catherine Mary Cameron (1996, Hardcover)
Better World Books West (349259)
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About this product
Product Identifiers
PublisherBloomsbury Publishing USA
ISBN-100275956105
ISBN-139780275956103
eBay Product ID (ePID)678507
Product Key Features
Number of Pages184 Pages
LanguageEnglish
Publication NameDialectics in the Arts : the Rise of Experimentalism in American Music
Publication Year1996
SubjectPhilosophy & Social Aspects, Popular Culture, General
TypeTextbook
Subject AreaMusic, Social Science
AuthorCatherine Mary Cameron
FormatHardcover
Dimensions
Item Height0.4 in
Item Weight15.4 Oz
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceCollege Audience
LCCN96-014784
Dewey Edition20
Reviews"Cameron weaves together several histories--musical, arts patronage, social, economic, political--to tell the fascinating story of America's avant-garde in this extremely well-written, thoroughly researched study. The author carefully analyzes the discourse of 34 avant-gardists, whose assertions, particularly those of John Cage, challenge the very basis of Western music aesthetics...In doing so, she offers some useful insights about the nature of musical style and change...Recommended for anyoone interested in the cultural forces impinging on the various paths of 20th-century music." Choice, "...Ethnomusicologists will certainly welcome her treatment of musical change from a cultural perspective." American Music
Number of Volumes1 vol.
IllustratedYes
Dewey Decimal780/.973
Table Of ContentPreface Introduction Conflict and Competition in American Music Experimental Music as Text Composer Discourse and Musical Change The University as Arts Patron The Dialectics of Musical Change Avant-Gardism as a Mode of Culture Change References Index
SynopsisEarly in the century, a handful of American composers began creating a new musical culture in the United States. Abandoning the European musical tradition, they protested the marginalization of American-born composers and struggled to displace traditional classical music in America. This movement, known as experimentalism, peaked during the 1950s and 1960s, when the music of composers like John Cage, Henry Cowell, and Charles Ives reached a new wide audience. This ethnographic account of experimentalism addresses the question of what social and political factors produced this avant-garde movement. Although European avant-gardism in music has been well documented, this is the first comprehensive account of the avant-garde in American music. This study chronicles the musical activities of the major figures and examines the development of a radical discourse among composers. Addressing experimentalism within the context of artistic and national politics, consideration is given to the effect of federal policies on arts support. This work will be of interest to ethnomusicologists and music historians, as well as to sociologists and anthropologists who study culture change.
LC Classification NumberML3845
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