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About this product
Product Identifiers
PublisherEdinburgh Tea & Coffee Company University Press
ISBN-101474476139
ISBN-139781474476133
eBay Product ID (ePID)2341977052
Product Key Features
Number of Pages264 Pages
Publication NameContemporary Disney Animation : Genre, Gender and Hollywood
LanguageEnglish
Publication Year2024
SubjectFilm / Référence, Animation (See Also Film / Genres / Animated), Graphic Arts / General, Film / History & Criticism
TypeTextbook
Subject AreaDesign, Performing Arts
AuthorEve Benhamou
FormatTrade Paperback
Dimensions
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceScholarly & Professional
ReviewsBenhamou's book offers a thorough and much needed critical exploration of contemporary animation from Disney and its competitors. Drawing on a multidisciplinary framework from genre to post-feminism through an animation studies lens, Benhamou offers the reader a well-considered, and very well written account of some of the key debates in screen studies.
Dewey Edition23
IllustratedYes
Dewey Decimal791.43/34
Table Of ContentList of Figures AcknowledgementsIntroduction 1. Animating a Formula: Disney, Genre and Hollywood AnimationPart 1: Disney and Romance2. Re-Animating Fantasies of Fairy-Tale Romance: Disney Nostalgia and The Princess and the Frog3. Tangled's Romantic Parodies: The DreamWorks Formula and the Post-feminist Disney Couple4. Brave New Tale? Reframing Love and Romance in FrozenPart 2: Disney and Action Adventure5. Animating the Digital Action-Adventure Spectacle6. Disruption/Containment: Gender, Marvel and Disney's Superheroes7. Animal Action Buddies: Disney's Anthropomorphic Re-Imaginings in Zootopia8. Reflections of/on Contemporary Disney Animation: Ralph Breaks the InternetFilmography Bibliography Index
SynopsisContemporary Disney Animation: Genre, Gender and Hollywood is the first in-depth study of Disney's latest animated output from the perspective of genre theory. Analysing a decade in Disney's history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film. Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.