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Tracks1.1 Violin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By Kreisler) 1.2 Violin Concerto in D Major, Op. 77: II. Adagio (Cadenza By Kreisler) 1.3 Violin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace (Cadenza By Kreisler) 2.1 Grand Duo Concertant, Op. 48, J. 204: I. Allegro Con Fuoco 2.2 Grand Duo Concertant, Op. 48, J. 204: II. Andante Con Moto 2.3 Grand Duo Concertant, Op. 48, J. 204: III. Rondo. Allegro 2.4 Violin Sonata in E-Flat Major, Op. 11 No. 1: I. Frisch 2.5 Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass Eines Langsamen, Feierlichen Tanzes 2.6 Violin Sonata No. 2 "Quasi Una Sonata" 2.7 Andante Con Variazioni on a Theme from Tancredi 3.1 Violin Concerto in D minor, Woo 23: I. in Kräftigem, Nich Zu Schnellem Tempo 3.2 Violin Concerto in D minor, Woo 23: II. Langsam 3.3 Violin Concerto in D minor, Woo 23: III. Lebhaft, Doch Nicht Schnell 3.4 Violin Concerto in D minor, Op. 47: I. Allegro Moderato 3.5 Violin Concerto in D minor, Op. 47: II. Adagio Di Molto 3.6 Violin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto 4.1 Violin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo 4.2 Violin Concerto in D Major, Op. 61: II. Larghetto 4.3 Violin Concerto in D Major, Op. 61: III. Rondo. Allegro 4.4 Romance No. 1 in G Major, Op. 40 4.5 Romance No. 2 in F Major, Op. 50 5.1 Violin Concerto No. 2 5.2 Stille Nacht (Arr. Schnittke for Violin and Piano) 5.3 Gratulationsrondo 5.4 Violin Concerto No. 3: I. Moderato 5.5 Violin Concerto No. 3: II. Agitato 5.6 Violin Concerto No. 3: III. Andante 6.1 Smile (From "Modern Times") 6.2 Improvizzo for Violin and Piano "Un Diavolo Sentimentale" 6.3 Fantasy (From "Circus") 6.4 Tanti Anni Prima (From "Enrico IV) 6.5 Nostalghia. in Memory of Andrei Tarkovskij 6.6 Absalom's Death and Tango: Sketches (From "Sakat") 6.7 Suite from the Gadfly, Op. 97A: VIII. Romance (Arr. Atovmyan) 6.8 Le Beuf Sur Le Toit, Op. 58 6.9 Rag-Gidon-Time 6.10 Improvviso in D minor (From "Amanti Senza Amore") 7.1 String Trio: I. Moderato (Live) 7.2 String Trio: II. Adagio (Live) 7.3 Canon (Arr. Schnittke) [Live] 7.4 Concerto for Three: I. Moderato - Allegretto (Live) 7.5 Concerto for Three: II. * (Live) 7.6 Concerto for Three: III. Largo (Live) 7.7 Concerto for Three: IV. * (Live) 7.8 Minuet for Violin, Viola and Cello (Live) 8.1 Violin Concerto No. 1: I. Allegro Ma Non Troppo 8.2 Violin Concerto No. 1: II. Andante 8.3 Violin Concerto No. 1: III. Allegro Scherzando 8.4 Violin Concerto "To the Memory of An Angel": II. Conclusion 9.1 Silvestrov : Dedication : I Allegro Moderato Con Moto 9.2 Silvestrov : Dedication : II Moderato 9.3 Silvestrov : Dedication : III Moderato Con Moto 9.4 Silvestrov : Dedication : IV Andantino 9.5 Silvestrov : Dedication : V Allegretto 9.6 Silvestrov : Dedication : VI Andante 9.7 Silvestrov : Dedication : VII Moderato 9.8 Silvestrov : Post Scriptum : I Largo - Allegro - Allegretto 9.9 Silvestrov : Post Scriptum : II Andantino 9.10 Silvestrov : Post Scriptum : III Allegro Vivace 10.1 Piano Concerto in a Minor, Op. 54: I. Allegro Affettuoso 10.2 Piano Concerto in a Minor, Op. 54: II. Intermezzo. Andantino Grazioso 10.3 Piano Concerto in a Minor, Op. 54: III. Allegro Vivace 10.4 Violin Concerto in D minor, Woo 23: I. in Kräftigem, Nich Zu Schnellem Tempo 10.5 Violin Concerto in D minor, Woo 23: II. Langsam 10.6 Violin Concerto in D minor, Woo 23: III. Lebhaft, Doch Nicht Schnell 11.1 Élégie for Violin and String Orchestra 11.2 Fratres (1992 Version for Violin, String Orchestra and Percussion) 11.3 Partita for Solo Violin, Op. 12: I. Präludium 11.4 Partita for Solo Violin, Op. 12: II. Scherzo 11.5 Partita for Solo Violin, Op. 12: III. Grave 11.6 Partita for Solo Violin, Op. 12: IV. Toccata 11.7 Partita for Solo Violin, Op. 12: V. Epilog 11.8 Musica Dolorosa for String Orchestra 11.9 Nevertheless, for Violin, Piano and String Orchestra 11.10 2 Grasshopper Dances for Solo Violin: No. 1, Sad Dance 11.11 2 Grasshopper Dances for Solo Vio
NotesGidon Kremer avoids the well-trodden paths of the musical world as he explores it with styleand sensitivity. Harnoncourt's fellow researcher, Argerich's soulmate, an early champion ofSchnittke and Pärt - Kremer combines a passion for freedom with a quest for authenticity, as isrevealed in the recordings he made over a period of two decades for EMI, Teldec and Erato.