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Cambridge Music Handbooks Ser.: Mozart : The 'Haydn' Quartets by John Irving (1998, Trade Paperback)
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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521585619
ISBN-139780521585613
eBay Product ID (ePID)226060
Product Key Features
Number of Pages116 Pages
Publication NameMozart : the 'haydn' Quartets
LanguageEnglish
Publication Year1998
SubjectGenres & Styles / Classical, General
TypeTextbook
Subject AreaMusic
AuthorJohn Irving
SeriesCambridge Music Handbooks Ser.
FormatTrade Paperback
Dimensions
Item Height0.3 in
Item Weight5.3 Oz
Item Length8.5 in
Item Width5.5 in
Additional Product Features
Intended AudienceCollege Audience
LCCN97-007268
Dewey Edition21
IllustratedYes
Dewey Decimal785/.7194/092
Table Of Content1. Mozart's early quartets; 2. Genesis of the 'Haydn' quartets; 3. Steps to publication; 4. The individual quartets: a synopsis; 5. Some theoretical perspectives; 6. Reception of the 'Haydn' quartets; Appendix; Notes; Select bibliography; Index.
SynopsisA guide to Mozart's most famous string quartets, dedicated to his friend, Joseph Haydn. Provides full synopsis of each piece and examines the music in relation to Mozart's earlier quarters. Charts their reception through a broad range of sources: letters, diaries, contemporary criticism and biographies., The six string quartets dedicated to his friend Joseph Haydn represent a turning point in Mozart' compositional development. In addition to providing a synopsis of each quartet, this book examines the music in relation to Mozart's earlier quartets, considers the genesis of the six Haydn quartets through examination of the autograph revisions and looks at contemporary 18th-century analytical models. The author also charts the reception of the quartets, drawing upon a broad range of sources: Mozart's letters and diary entries, early newspaper reports, harmony/compositional textbooks, contemporary criticism and early biographies, The six string quartets dedicated to his friend Joseph Haydn represent a turning point in Mozart's compositional development. In addition to providing a full synopsis of each quartet this book examines the music in relation to Mozart's earlier quartets, considers the genesis of the six 'Haydn' quartets through close examination of the autograph revisions and looks at contemporary eighteenth-century analytical models. John Irving also charts the reception of the quartets, drawing upon a broad range of sources: Mozart's letters and diary entries, early newspaper reports, harmony/compositional textbooks, contemporary criticism and early biographies.
LC Classification NumberML410.M9 I73 1998
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