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Ashgate Interdisciplinary Studies in Opera Ser.: Claudio Monteverdi's Venetian Operas by Ellen Rosand (2022, Hardcover)
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About this product
Product Identifiers
PublisherTaylor & Francis Group
ISBN-100367191962
ISBN-139780367191962
eBay Product ID (ePID)19058632854
Product Key Features
Number of Pages286 Pages
Publication NameClaudio Monteverdi's Venetian Operas
LanguageEnglish
Publication Year2022
SubjectHistory & Criticism, Printed Music / Opera & Classical Scores, General, Genres & Styles / Opera
TypeTextbook
AuthorEllen Rosand
Subject AreaMusic
SeriesAshgate Interdisciplinary Studies in Opera Ser.
FormatHardcover
Dimensions
Item Weight25 Oz
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceCollege Audience
LCCN2022-000845
Dewey Edition23
IllustratedYes
Dewey Decimal782.1092
Table Of ContentPART I: Context and Sources 1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea 2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656). 3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes 4. Hendrik Schulze. Editing Poppea : Source Provenance, Performance Practice, and Authorship 5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria . 6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES PART II: Performance and Interpretation 7. Wendy Heller " Una lingua sciolta ": Listening to the Voice of Anna Renzi 8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles. 9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse . 10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence. 11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea . 12. Jane Glover. Conducting Monteverdi's Venetian Operas.
SynopsisClaudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi's two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène . Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: 'Contexts and Sources' deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation' offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage., features chapters by a group of scholars and performers of varied backgrounds and specialties The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics, can shed new light on Monteverdi's two Venetian operas. will appeal to scholars and researchers in Opera Studies and Music History as well as being of interest to early music performers and all those involved with presenting opera on stage., Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective.
LC Classification NumberML410.M77R66 2022
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