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Anne Truitt : Perception and Reflection by Kristen Hileman and James Meyer (2009, Hardcover)
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About this product
Product Identifiers
PublisherGiles The Limited, D.
ISBN-10190483261X
ISBN-139781904832614
eBay Product ID (ePID)10038732534
Product Key Features
Book TitleAnne Truitt : Perception and Reflection
Number of Pages176 Pages
LanguageEnglish
Publication Year2009
TopicIndividual Artists / Monographs, American / General
IllustratorYes
GenreArt
AuthorKristen Hileman, James Meyer
FormatHardcover
Dimensions
Item Length11 in
Item Width9.4 in
Additional Product Features
Dewey Edition22
Dewey Decimal730.92
SynopsisAnne Truitt (1921-2004) is a heroine of American Minimalism, an increasingly admired artist whose journals ( Daybook , Prospect , Turn ) have a longstanding and devoted readership, but whose art has not previously been the subject of a substantial monograph. Perception and Reflection remedies this historical oversight superbly and decisively. The evolution of Truitt's sensibility is at once a classic Minimalist story and the tale of a truly independent spirit: following an encounter with the black paintings of Ad Reinhardt at the Guggenheim in 1961, she abandoned her earlier sculptural style and began to make stark, columnar works inscribed with bands of sometimes bright and sometimes quiet color. Truitt's account of this transition betrays her rare clarity and sensitivity: "I thought to myself, 'If I make a sculpture, it will just stand up straight and the seasons will go around it and the light will go around it and it will record time.'", Anne Truitt, an artist based in Washington, D.C. for most of her career, remains an under-recognized force in art post-1960, which has been dominated by artists like Donald Judd and Ellsworth Kelly who have strongly influenced the movement now known as Minimalism. Part of this lack of recognition stems from the fact that Truitt pursued a staunchly independent course in her art: not only did she take a different path from the Color Field artists often associated with Washington, D.C., but she created reduced geometric abstraction that deviated from the approaches of Minimalist artists in some significant ways. For example, her highly nuanced use of colour veered dramatically from primary hues, and the titles of many of her works evoked places and events that were important to her, suggesting a complex network of references beyond and yet somehow contained by the sculpture. This volume, and the accompanying exhibition, will form an important part of the re-evaluation of Truitt's art, due to the scope of work which it presents. A wide range of three-dimensional works will be presented to showcase Truitt's exploration of colour, scale and proportion. Examples of two-dimensional series on canvas in which the artist investigated the cusp of visibility as well as the relationships between painting and sculpture, join 24 works on paper some of which date to the year that Truitt first arrived at her radical reduction of form, and others that represent a three-year period during the 1960's from which there are almost no extant sculptures. At the heart of this volume are colour plates of the columnar sculptures that became the hallmark of Truitt's profoundly focused practice, and that made her so significant to the development of minimal abstraction. Whilst Truitt's work has featured as part of larger surveys of Minimalism, as well as in Truitt's own artist's journals - Daybook (1984), Turn (1987), and Prospect (1996) - it has never before been the subject of a complete monographic survey. For this reason alone publication of Anne Truitt: Perception and Reflection in 2009 will be a major event in itself, and one that will significantly increase our understanding of post-1960's art. AUTHOR: Kristen Hileman the organizing curator of the exhibition, is associate curator, the Hirshhorn Museum and Sculpture Garden, where she recently curated The Cinema Effect: Illusion, Reality and the Moving Image, Part II: Realisms (2008), and has worked with such artists as John Baldessari, Hiroshi Sugimoto, and Wolfgang Tillmans; James Meyer is Winship Distinguished Associate Professor of Art History at Emory University and the author of Minimalism: Art & Polemics in the Sixties (Yale, 2001) and Themes & Movements: Minimalism (Phaidon, 2000). He organised the Anne Truitt exhibition at the Michael C. Carlos Museum, Emory University in 2004. He also co-authored Howard Hodgkin with Nicholas Serota (Tate Britain, 2006) 150 colour & 12 b/w illustrations *
LC Classification NumberN6537
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