Picture 1 of 1

Stock photo

Animation from Pencils to Pixels: Classical Techniques for the D - Picture 1 of 1

Animation from Pencils to Pixels: Classical Techniques for the Digital Animator by Tony White (Paperback, 2006)

Chiron_Media_Store (1111269)

99.5% positive feedback

Price:

GBP 12.47

ApproximatelyRM 71.35

+ 6.99 shipping

Estimated delivery Thu, 3 Jul - Mon, 14 Jul

Returns:

30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.

Condition:

Good

About this product

Product Information

Just add talent! Award-winning animator Tony White brings you the ultimate book for digital animation. Here you will find the classic knowledge of many legendary techniques revealed, paired with information relevant to today's capable, state-of-the-art technologies. White leaves nothing out. What contemporary digital animators most need to know can be found between this book's covers - from conceptions to creation and through the many stages of the production pipeline to distribution. This book is intended to serve as your one-stop how-to animation guide. Whether you're new to animation or a very experienced digital animator, here you'll find fundamentals, key classical techniques, and professional advice that will strengthen your work and well-roundedness as an animator. Speaking from experience, White presents time-honored secrets of professional animaton with a warm, masterly, and knowledgeable approach that has evolved from over 30 years as an award-winning animator/director. The book's enclosed CD-Rom presents classic moments from animation's history through White's personal homage to traditional drawn animation, Endangered Species. Using movie clips and still images from the film, White shares the 'making of' journal of the film, detailing each step, with scene-by-scene descriptions, technique by technique. Look for the repetitive stress disorder guide on the CD-Rom, called, Mega-hurts. Watch the many movie clips for insights into the versatility that a traditional, pencil-drawn approach to animaton can offer.