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About this product
Product Identifiers
PublisherSerenissima Music, Incorporated
ISBN-101608742385
ISBN-139781608742387
eBay Product ID (ePID)16038376110
Product Key Features
Number of Pages56 Pages
LanguageEnglish
Publication NameAndante E Rondo Ongarese, Op. 35 : Study Score
Publication Year2018
SubjectGeneral
TypeTextbook
Subject AreaMusic
AuthorCarl Maria Von Weber
FormatTrade Paperback
Dimensions
Item Height0.1 in
Item Weight5.5 Oz
Item Length11 in
Item Width8.5 in
Additional Product Features
Intended AudienceScholarly & Professional
Composed byWeber, Carl Maria von
SynopsisFirst composed in 1809 as a viola showpiece for his for his step-brother Fritz, Weber's Andante et rondo ongarese remained unpublished in the composer's original settng for decades after the composer's death. In the wake of the touring composer's great success with his Clarinet Concertino of 1811 - composed for Heinrich Baermann, virtuoso clarinetist of the Munich Court Orchestra sortly after the composer's arrival there, the orchestra's bassoonist Georg Friedrich Brandt demanded a concerto for bassoon, which was premiered later the same year - again to great acclaim. In 1813 Brandt asked Weber for another bassoon concerto, so the composer reworked his earlier viola showpiece into the one for bassoon and orchestra which is the version ultimately published and generally known today. This newly engraved edition by Richard W. Sargeant, Jr. corrects the numerous mistakes that are in the parts and presents for the first time a published orchestral score using both the manuscript and the original parts as sources. IMSLP page All Music Guide, First composed in 1809 as a viola showpiece for his for his step-brother Fritz, Weber's Andante et rondo ongarese remained unpublished in the composer's original settng for decades after the composer's death. In the wake of the touring composer's great success with his Clarinet Concertino of 1811 - composed for Heinrich Baermann, virtuoso clarinetist of the Munich Court Orchestra sortly after the composer's arrival there, the orchestra's bassoonist Georg Friedrich Brandt demanded a concerto for bassoon, which was premiered later the same year - again to great acclaim. In 1813 Brandt asked Weber for another bassoon concerto, so the composer reworked his earlier viola showpiece into the one for bassoon and orchestra which is the version ultimately published and generally known today. This newly engraved edition by Richard W. Sargeant, Jr. corrects the numerous mistakes that are in the parts and presents for the first time a published orchestral score using both the manuscript and the original parts as sources.
