|Listed in category:
Have one to sell?

Color and Meaning: Art, Science, and Symbolism

US $9.47
ApproximatelyRM 40.02
Condition:
Good
People are checking this out. 3 have added this to their watchlist.
Breathe easy. Free shipping and returns.
Shipping:
Free USPS Media MailTM.
Located in: Schenectady, New York, United States
Delivery:
Estimated between Tue, 26 Aug and Sat, 30 Aug to 94104
Delivery time is estimated using our proprietary method which is based on the buyer's proximity to the item location, the shipping service selected, the seller's shipping history, and other factors. Delivery times may vary, especially during peak periods.
Returns:
30 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)

Shop with confidence

Top Rated Plus
Trusted seller, fast shipping, and easy returns. Learn more- Top Rated Plus - opens in a new window or tab
Seller assumes all responsibility for this listing.
eBay item number:396386238042
Last updated on Jun 15, 2025 00:39:17 MYTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780520226111

About this product

Product Identifiers

Publisher
University of California Press
ISBN-10
0520226119
ISBN-13
9780520226111
eBay Product ID (ePID)
1697487

Product Key Features

Book Title
Color and Meaning : Art, Science, and Symbolism
Number of Pages
320 Pages
Language
English
Publication Year
1999
Topic
General, Color Theory
Illustrator
Yes
Genre
Art, Psychology
Author
John Gage
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
43.3 Oz
Item Length
10.2 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Dewey Decimal
701/.85
Synopsis
Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse. From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture ., Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted. Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse. From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book,Color and Culture.

Item description from the seller

About this seller

BulkBookWarehouse.shop

99.6% positive feedback30K items sold

Joined Apr 2021
All orders received before 10:00 AM ship same day!

Detailed Seller Ratings

Average for the last 12 months
Accurate description
5.0
Reasonable shipping cost
5.0
Shipping speed
5.0
Communication
5.0

Seller feedback (8,945)

All ratings
Positive
Neutral
Negative