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Nothing On Semble "Corners and Their Places" CS Worthless Morgan Delt Psych Pop

Condition:
Brand New
3 available
Price:
US $10.00
ApproximatelyRM 47.72
Postage:
US $3.75 (approx RM 17.90) Economy Postage. See detailsfor shipping
Located in: Dover-Foxcroft, Maine, United States
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Estimated between Tue, 7 May and Sat, 11 May to 43230
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Seller information

Seller assumes all responsibility for this listing.
eBay item number:394681683859

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing. Item is in ...
Style
Psych Pop, Experimental Rock, Psychedelic Rock
Inlay Condition
Excellent (EX)
Cassette Condition
Excellent (EX)
Type
Album
Case Condition
Excellent (EX)
Edition
Limited Edition
UPC
0769791974104
Artist
Nothing to Semble
Format
Cassette
Record Label
Feeding Tube, Fdtb
Release Year
2019
Release Title
Corners & Their Places
Genre
Rock

About this product

Product Identifiers

Record Label
Feeding Tube, Fdtb
UPC
0769791974104
eBay Product ID (ePID)
4046040671

Product Key Features

Artist
Nothing to Semble
Format
Cassette
Release Year
2019
Release Title
Corners & Their Places
Genre
Rock

Dimensions

Item Length
4.27in
Item Height
0.66in
Item Width
2.79in
Item Weight
0.13lb.

Additional Product Features

Number of Discs
1
Notes
"Herewith, the first expression of the newest project helmed by Brooklyn polymath, Curtis Godino (known for his work with light shows and visual art as much as for his most excellent musical combo, Worthless [FTR 417, 2019]). Mellotron is often Curtis' sonic weapon of choice, and his expressively modal use of the instrument makes Justin Hayward sound like, well... Justin Hayward. In Curtis' hands, this ungainly behemoth of a keyboard retains a massive sort of prog pompery that is equal parts majesty and idiocy. The instrumental sections build weirdly ornate sky castles, which are larded with presumably heisted spoken sections, or cloud-like vocals, often resembling Ummagumma-era Floyd (1969) in all it's wheezy glory. There are also drums on a few tracks, employing a light spacey approach that's fully in keeping with the proceedings. You can hear some guitar squirreled away in the mix as well. The mellotron is such a huge strange presence, however, it really shapes things, making me recall (almost too vividly) dark winter nights in prep school dorms filled with In the Court of the Crimson King (1969), bad acid, and In Search of the Lost Chord (1968). For all that blunder-bussing, Nothing To Semble sometimes offers a very intimate vibe as well (even though the lyrics are not fully penetrable). Which makes it perfect listening for those who like using psychotropics, or at least like thinking about using psychotropics. Either way, count me in." -Byron Coley, 2019 Edition of 250.
Country/Region of Manufacture
United States

Item description from the seller

entheosoundrecords

entheosoundrecords

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