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Ethnomusicolog
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Item specifics
- Condition
- ISBN
- 0199794375
- EAN
- 9780199794379
- Date of Publication
- 2014-01-23
- Publication Name
- N/A
- Type
- Paperback / softback
- Release Title
- Ethnomusicology: A Very Short Introduction (Very Short Introdu...
- Artist
- Rice, Timothy
- Brand
- N/A
- Colour
- N/A
About this product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199794375
ISBN-13
9780199794379
eBay Product ID (ePID)
160072038
Product Key Features
Book Title
Ethnomusicology : a Very Short Introduction
Number of Pages
168 Pages
Language
English
Topic
Ethnomusicology, General
Publication Year
2013
Illustrator
Yes
Genre
Music
Book Series
Very Short Introductions Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
4.8 Oz
Item Length
6.8 in
Item Width
4.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-020199
Reviews
"Rice's short book delivers a well-structured and comparatively accessible look both into the development of ethnomusicology and into important areas of research, introduces influential studies and researchers, and can well be recommended as a concise alternative to Bruno Nettl's more comprehensive The Study of Ethnomusicology."--Die Musikforschung
Dewey Edition
23
Dewey Decimal
780.89
Table Of Content
List of illustrations1. Defining ethnomusicology2. A bit of history3. Conducting research4. The nature of music5. Music and culture6. Individual musicians7. Writing music history8. Ethnomusicology in the modern world9. Ethnomusicologists at workReferencesFurther readingSuggestions for listening
Synopsis
Ethnomusicologists believe that all humans, not just those we call musicians, are musical, and that musicality is one of the essential touchstones of the human experience. This insight raises big questions about the nature of music and the nature of humankind, and ethnomusicologists argue that to properly address these questions, we must study music in all its geographical and historical diversity.In this Very Short Introduction, one of the foremost ethnomusicologists, Timothy Rice, offers a compact and illuminating account of this growing discipline, showing how modern researchers go about studying music from around the world, looking for insights into both music and humanity. The reader discovers that ethnomusicologists today not only examine traditional forms of music-such as Japanese gagaku, Bulgarian folk music, Javanese gamelan, or Native American drumming and singing-but also explore more contemporary musical forms, from rap and reggae to Tex-Mex, Serbian turbofolk, and even the piped-in music at the Mall of America. To investigate these diverse musical forms, Rice shows, ethnomusicologists typically live in a community, participate in and observe and record musical events, interview the musicians, their patrons, and the audience, and learn to sing, play, and dance. It's important to establish rapport with musicians and community members, and obtain the permission of those they will work with closely over the course of many months and years. We see how the researcher analyzes the data to understand how a particular musical tradition works, what is distinctive about it, and how it bears the personal, social, and cultural meanings attributed to it. Rice also discusses how researchers may apply theories from anthropology and other social sciences, to shed further light on the nature of music as a human behavior and cultural practice. About the Series:Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable., Ethnomusicology, an academic discipline founded in 1950, has been defined as the study of the music of others. This definition, at once whimsical and very nearly true, is incomplete. Many of its strongest threads have emerged because a person or a people have wanted to understand themselves, their history, and their identity. This Very Short Introduction examines the history of the impulses to study ourselves and others, beginning with the work of Jesuit missionaries to Latin America in the sixteenth century and continuing through the encyclopedists, antiquarians, and orientalists of the eighteenth century, and the nationalists, scientists, and humanists of the nineteenth and twentieth centuries. The institutional motivations driving studies in this field are scholarly and intellectual, political and ideological, artistic and aesthetic, religious, ethical, or commercial. What have ethnomusicologists learned about the nature of music? For ethnomusicologists, music creates community when performed; it embodies and in some cases creates cultural values and social norms; it constructs individual identities; it expresses large-scale economic and political structures that press upon particular local communities. Ethnomusicologists generally believe that music is an aspect of culture coherent with, or contributing to, any number of ideas and practices in such fields as religion, ethics, cosmology, plastic arts, dance, cooking, social identity, and the definition of the self. This book looks cross-culturally at some of the many themes that demonstrate the way music is embedded in, reflects, and contributes to broader cultural patterns, themes such as culturally specific beliefs about the nature of music; the social status of musicians; music and emotion; music's role in religion and ritual; the economics of music; music and the construction of individual and social identity, including gender and sexuality; and music in societies under stress from war, violence, conflict, or disease. In this Very Short Introduction, Timothy Rice describes how ethnomusicologists conduct fieldwork, examining some of the most spectacular results of these research methods as well as some of the issues that have arisen from using them, including ethical questions, questions of representation (who can speak for whom and how), what we learn when we learn to play music, the accuracy and reliability of musical notation and sound recordings, and differences between "insider" knowledge and scholarly interpretations.About the Series:Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects - from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative - yet always balanced and complete - discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable., Ethnomusicologists believe that all humans, not just those we call musicians, are musical, and that musicality is one of the essential touchstones of the human experience. This insight raises big questions about the nature of music and the nature of humankind, and ethnomusicologists argue that to properly address these questions, we must study music in all its geographical and historical diversity. In this Very Short Introduction , one of the foremost ethnomusicologists, Timothy Rice, offers a compact and illuminating account of this growing discipline, showing how modern researchers go about studying music from around the world, looking for insights into both music and humanity. The reader discovers that ethnomusicologists today not only examine traditional forms of music-such as Japanese gagaku, Bulgarian folk music, Javanese gamelan, or Native American drumming and singing-but also explore more contemporary musical forms, from rap and reggae to Tex-Mex, Serbian turbofolk, and even the piped-in music at the Mall of America. To investigate these diverse musical forms, Rice shows, ethnomusicologists typically live in a community, participate in and observe and record musical events, interview the musicians, their patrons, and the audience, and learn to sing, play, and dance. It's important to establish rapport with musicians and community members, and obtain the permission of those they will work with closely over the course of many months and years. We see how the researcher analyzes the data to understand how a particular musical tradition works, what is distinctive about it, and how it bears the personal, social, and cultural meanings attributed to it. Rice also discusses how researchers may apply theories from anthropology and other social sciences, to shed further light on the nature of music as a human behavior and cultural practice. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable., Ethnomusicology, an academic discipline founded in 1950, has been defined as the study of the music of others. This definition, at once whimsical and very nearly true, is incomplete. Many of its strongest threads have emerged because a person or a people have wanted to understand themselves, their history, and their identity.
LC Classification Number
ML3798.R53 2013
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- l***e (141)- Feedback left by buyer.Past monthVerified purchaseBeautiful
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Seller feedback (1,555,308)
- l***e (141)- Feedback left by buyer.Past monthVerified purchaseBeautiful
- o***t (3185)- Feedback left by buyer.Past monthVerified purchaseGreat service. Beautiful book. I wish the listing would have showed an image of the cover, but it was still better than worth it. Thanks a lot.
- o***t (3185)- Feedback left by buyer.Past monthVerified purchaseGreat service. Beautiful book. Thanks a lot.