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THE ART AND ARTISTS OF THE FIFTH ZIONIST CONGRESS, 1901: By Gilya Gerda Schmidt

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
The Art and Artists of the Fifth Zionist Congress, 1901: Heralds
ISBN-10
0815630301
Genre
ART
ISBN
9780815630302

About this product

Product Identifiers

Publisher
Syracuse University Press
ISBN-10
0815630301
ISBN-13
9780815630302
eBay Product ID (ePID)
2354961

Product Key Features

Number of Pages
288 Pages
Publication Name
Art and Artists of the Fifth Zionist Congress 1901 : Heralds of a New Age
Language
English
Publication Year
2003
Subject
History / Modern (Late 19th Century to 1945), Anthropology / Cultural & Social, Jewish, History / General
Type
Textbook
Subject Area
Art, Social Science, History
Author
Gilya Gerda Schmidt
Series
Judaic Traditions in Literature, Music, and Art Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
16 Oz
Item Length
9.5 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2003-005734
Dewey Edition
21
Reviews
The works of eleven artists were displayed at the Congress, and Schmidt's book is chiefly devoted to biographies of these artists and discussions of their artistic achievements. . . . . The author has done a commendable job of collecting material on all these artists, ranging from encyclopedia articles to contemporary critical comments.
TitleLeading
The
Illustrated
Yes
Dewey Decimal
704.03/924/009041
Synopsis
Martin Buber and friends successfully lobbied the congress for inclusion of cultural Zionism into the official agenda of the Zionist organization, resulting in the establishment of the Bezalel Art Institute in Jerusalem in 1905. In the first book of its kind, Gilya Gerda Schmidt places this art exhibition in the context of political Zionism as well as anti-Semitism. Jews had been denied the opportunity to be creative, and religious Zionists feared that Jewish culture would usurp religion within the Zionist movement. Hermann Struck, an artist and Orthodox Jew, became a founding member of the religious Zionist Party, further supporting Buber's assertion that culture and religion were not at odds. The forty-eight works of art in the exhibition were created by eleven artists, all but two of whom were famous in their lifetime. Until now, their works had been largely forgotten. In the last decade, contributing artists--Ephraim Lilien, Lesser Ury, Jozef Israels, Struck, and Maurycy Gottlieb--have enjoyed a revival of their work., Illuminating the Jewish art exhibition at the Fifth Zionist Congress in Basel, Switzerland, in 1901, this study looks at its contributions to art and Jewish history and culture. Cultural Zionism was for the first time included into the official agenda, an important step for the politics of Zionism., Martin Buber and friends successfully lobbied the congress for inclusion of cultural Zionism into the official agenda of the Zionist organization, resulting in the establishment of the Bezalel Art Institute in Jerusalem in 1905. In the first book of its kind, Gilya Gerda Schmidt places this art exhibition in the context of political Zionism as well as anti-Semitism. Jews had been denied the opportunity to be creative, and religious Zionists feared that Jewish culture would usurp religion within the Zionist movement. Hermann Struck, an artist and Orthodox Jew, became a founding member of the religious Zionist Party, further supporting Buber's assertion that culture and religion were not at odds. The forty-eight works of art in the exhibition were created by eleven artists, all but two of whom were famous in their lifetime. Until now, their works had been largely forgotten. In the last decade, contributing artistsEphraim Lilien, Lesser Ury, Jozef Israels, Struck, and Maurycy Gottliebhave enjoyed a revival of their work.
LC Classification Number
N7417.6.S36 2003

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