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Scarce Title: GESTURE IN MEDIEVAL DRAMA AND ART Clifford Davidson pb 2001

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781580440295

About this product

Product Identifiers

Publisher
Medieval Institute Publications
ISBN-10
1580440290
ISBN-13
9781580440295
eBay Product ID (ePID)
1934073

Product Key Features

Number of Pages
284 Pages
Publication Name
Gesture in Medieval Drama and Art
Language
English
Publication Year
2001
Subject
Drama, Theater / History & Criticism, History / Medieval, Acting & Auditioning
Type
Textbook
Author
Clifford Davidson
Subject Area
Literary Criticism, Art, Performing Arts
Series
Early Drama, Art, and Music Ser.
Format
Trade Paperback

Dimensions

Item Weight
24.7 Oz

Additional Product Features

Intended Audience
College Audience
LCCN
2001-031278
Dewey Edition
21
Series Volume Number
28
Dewey Decimal
809.2/0094/0902
Table Of Content
Illustrations Preface Of Miming and Signing: The Dramatic Rhetoric of Gesture by Jody Enders Gesture and Characterization in the Liturgical Drama by Dunbar H. Ogden Offering the Forbidden Fruit in MS. Junius 11 by Janet Schrunk Ericksen Gesture in Medieval British Drama by Clifford Davidson Gestures of Greeting: Annunciations, Sacred and Secular by Barbara D. Palmer The Body in Motion in the York Adam and Eve in Eden by Natalie Crohn Schmitt Gesture and Audience: The Passion and Duccio's Maesta by Beth A. Mulvaney Body Language in Jeu de Robin et Marion : The Aix Witness by Jesse Hurlbut Index
Synopsis
Gesture and movement on stage in early drama have previously received very little attention in scholarship. The present collection of essays is the first book to present sensible, penetrating, and wide-ranging discussions of the gestural effects that were integral to the early stage. In addition to consideration of the influence of classical rhetoric and reference to medieval texts and documents, the essays carefully bring to bear evidence from the art of the period and hence will be of great importance for those interested in the visual arts as well as the theater; eschewing both the naive methodologies promoted in past criticism and ephemeral theoretical concerns, the book is truly ground-breaking. These essays will need to be perused by every serious theater historian or student of art concerned with the late Middle Ages.
LC Classification Number
PN1751.G47 2001

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