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Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603-1613 pap
US $6.29
ApproximatelyRM 26.56
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Frederick, Maryland, United States
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Estimated between Fri, 1 Aug and Thu, 7 Aug to 94104
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eBay item number:386998587349
Item specifics
- Condition
- Book Title
- Shakespeare, the King's Playwright: Theater in the Stuart Court,
- ISBN
- 9780300072587
About this product
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300072589
ISBN-13
9780300072587
eBay Product ID (ePID)
647952
Product Key Features
Number of Pages
258 Pages
Publication Name
Shakespeare, the King's Playwright : Theater in the Stuart Court, 1603-1613
Language
English
Subject
Publishing, Theater / History & Criticism, Shakespeare
Publication Year
1997
Type
Textbook
Subject Area
Literary Criticism, Drama, Performing Arts, Language Arts & Disciplines
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
15.7 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
822.3/3
Synopsis
Soon after James Stuart became king of England in 1603, William Shakespeare, while still working in the public theater, became the royal playwright, and his acting troupe became the premier playing company of the realm. How did this courtly setting influence Shakespeare's work? What was it like to view, perform in, and write plays conceived for the Stuart king? In this fascinating and lively book, one of our most eminent literary critics explores these questions by taking us back to the court performances of some of Shakespeare's most famous plays, examining them in their settings at the royal palaces of Whitehall and Hampton Court. Alvin Kernan looks at Shakespeare as a patronage playwright whose work after 1603 focused on the main concerns of his royal patron: divine-right kingship in Lear , the corruption of the court in Antony , the difficulties of the old military aristocracy in Coriolanus , and other vital matters. Kernan argues that Shakespeare was neither the royal propagandist nor the political subversive that the New Historicists have made him out to be. He was, instead, a great dramatist whose plays commented on political and social concerns of his patrons and who sought the most satisfactory way of adjusting his own art to court needs.
Item description from the seller
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