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SIGNED Disorientation : A Novel by Elaine Hsieh Chou, autographed, new, satire
US $14.76
ApproximatelyRM 62.24
or Best Offer
Was US $25.00 (41% off)
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
Sale ends in: 3d 22h
2 available1 sold
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Shipping:
Free USPS Media MailTM.
Located in: Oneida, Tennessee, United States
Delivery:
Estimated between Wed, 15 Oct and Mon, 20 Oct to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:386309286324
Item specifics
- Condition
- Signed By
- Elaine Hsieh Chou
- Signed
- Yes
- Ex Libris
- No
- Book Series
- N/A
- Narrative Type
- Fiction
- Original Language
- English
- Inscribed
- No
- Intended Audience
- Adults, Young Adults
- Edition
- SIGNED
- Personalize
- No
- Type
- Novel
- Personalized
- No
- Features
- Dust Jacket, SIGNED
- Country/Region of Manufacture
- United States
- ISBN
- 9780593298350
About this product
Product Identifiers
Publisher
Penguin Publishing Group
ISBN-10
0593298357
ISBN-13
9780593298350
eBay Product ID (ePID)
17050070747
Product Key Features
Book Title
Disorientation : a Novel
Number of Pages
416 Pages
Language
English
Publication Year
2022
Topic
Satire, Literary, Asian American
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
23.6 Oz
Item Length
9.7 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2021-011961
Reviews
"Chou effectively skewers a world that takes itself all too seriously . . . This will charm a wide set of readers, not just those pursuing PhDs." -- Publishers Weekly " Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba liberalism, but lastly and most importantly, it's a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper." -- Cathy Park Hong, author of Minor Feelings "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel " Disorientation is the funniest novel I've read all year . . . This uproarious tale of a young woman's quest to uncover the truth about the world's most famous Chinese American poet is packed full of sly truths about race, love, and life in general -- all of which you're going to miss, because you'll be laughing so hard." --Aravind Adiga, author of The White Tiger, " Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba liberalism, but lastly and most importantly, it's a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper." -- Cathy Park Hong, author of Minor Feelings "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel " Disorientation is the funniest novel I've read all year . . . This uproarious tale of a young woman's quest to uncover the truth about the world's most famous Chinese American poet is packed full of sly truths about race, love, and life in general -- all of which you're going to miss, because you'll be laughing so hard." --Aravind Adiga, author of The White Tiger, "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel, " Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba tea liberalism, but lastly and most importantly, it's a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper." -- Cathy Park Hong, author of Minor Feelings "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel, "The pleasures of Elaine Hsieh Chou's campus satire are in high supply . . . In the tradition of Donna Tartt's The Secret History and Elif Batuman's The Idiot , Chou has written a delightful new chapter of dark academia." -- Vogue "[S]earing satire . . . Chou details her protagonist's struggles with dry humor and wit." -- Time "Gleefully dark and incisive . . . Chou's examination of the catch-22s faced by Asian Americans, particularly women, straddles the line between satiric and searing . . . Disorientation is the best combination of entertaining and thought-provoking, and Chou is an exciting new voice in novel-length fiction." -- Shelf Awareness "Chou effectively skewers a world that takes itself all too seriously . . . This will charm a wide set of readers, not just those pursuing PhDs." -- Publishers Weekly "A fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way." -- Good Housekeeping , The 15 Best and Most-Anticipated Books of 2022 " Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba liberalism, but lastly and most importantly, it's a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper." -- Cathy Park Hong, author of Minor Feelings "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel " Disorientation is the funniest novel I've read all year . . . This uproarious tale of a young woman's quest to uncover the truth about the world's most famous Chinese American poet is packed full of sly truths about race, love, and life in general -- all of which you're going to miss, because you'll be laughing so hard." --Aravind Adiga, author of The White Tiger, "[S]earing satire . . . Chou details her protagonist's struggles with dry humor and wit." -- Time "Gleefully dark and incisive . . . Chou's examination of the catch-22s faced by Asian Americans, particularly women, straddles the line between satiric and searing . . . Disorientation is the best combination of entertaining and thought-provoking, and Chou is an exciting new voice in novel-length fiction." -- Shelf Awareness "Chou effectively skewers a world that takes itself all too seriously . . . This will charm a wide set of readers, not just those pursuing PhDs." -- Publishers Weekly "A fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way." -- Good Housekeeping , The 15 Best and Most-Anticipated Books of 2022 " Disorientation is an irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba liberalism, but lastly and most importantly, it's a satire, inspired by recent controversies, about an orientalist tradition and its manifestations today. Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper." -- Cathy Park Hong, author of Minor Feelings "Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." --Raven Leilani, author of Luster " Disorientation is a multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit, in which the murder victim might be your idea of yourself--no matter how you identify. I often held my breath until I laughed and I wouldn't dare compare it or Chou to anyone writing now. Wickedly funny and knowing, Chou's dagger wit is sure-eyed, intent on what feels like a decolonization of her protagonist, if not the reader, that just might set her free." --Alexander Chee, author of How to Write an Autobiographical Novel " Disorientation is the funniest novel I've read all year . . . This uproarious tale of a young woman's quest to uncover the truth about the world's most famous Chinese American poet is packed full of sly truths about race, love, and life in general -- all of which you're going to miss, because you'll be laughing so hard." --Aravind Adiga, author of The White Tiger
Synopsis
A NEW YORK TIMES EDITORS' CHOICE SELECTION * A MALALA BOOK CLUB PICK * AN INDIE NEXT PICK * A FAVORITE BOOK OF 2022 BY NPR AND BOOK RIOT * A MUST-READ MARCH 2022 BOOK BY TIME, VANITY FAIR, EW AND THE CHICAGO REVIEW OF BOOKS * A MOST ANTICIPATED BOOK OF 2022 BY GOODREADS, NYLON, BUZZFEED AND MORE A Taiwanese American woman's coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel. Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about "Chinese-y" things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it's her ticket out of academic hell. But Ingrid's in much deeper than she thinks. Her clumsy exploits to unravel the note's message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda. In the aftermath, nothing looks the same to Ingrid--including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he's translated, doubts and insecurities creep in for the first time... As the events Ingrid instigated keep spiraling, she'll have to confront her sticky relationship to white men and white institutions--and, most of all, herself. For readers of Paul Beatty's The Sellout and Charles Yu's Interior Chinatown , this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories--and how the story changes when we finally tell it ourselves.
LC Classification Number
PS3603.H686D57 2022
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