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Robert Janitz: Anahuacalli by Museo Diego Rivera Anahuacalli, Mexico (English) P
US $39.68
ApproximatelyRM 166.85
Condition:
Brand New
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eBay item number:386305063738
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- ISBN-13
- 9783987410901
- Type
- Does not apply
- ISBN
- 9783987410901
- Book Title
- Robert Janitz: Anahuacalli
- Publisher
- Druckverlag KETTLER Gmbh
- Item Length
- 9.9 in
- Publication Year
- 2024
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Genre
- Art
- Topic
- Caribbean & Latin American, Individual Artists / General, Collections, Catalogs, Exhibitions / General, General
- Item Weight
- 15.6 Oz
- Item Width
- 7.2 in
- Number of Pages
- 112 Pages
About this product
Product Identifiers
Publisher
Druckverlag KETTLER Gmbh
ISBN-10
3987410906
ISBN-13
9783987410901
eBay Product ID (ePID)
17065564689
Product Key Features
Book Title
Robert Janitz: Anahuacalli
Number of Pages
112 Pages
Language
English
Publication Year
2024
Topic
Caribbean & Latin American, Individual Artists / General, Collections, Catalogs, Exhibitions / General, General
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
15.6 Oz
Item Length
9.9 in
Item Width
7.2 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
759.3
Synopsis
* Robert Janitz in conversation with the Anahuacalli Museum in Mexico City * An extraordinary dialogue between pre-Hispanic and contemporary aesthetics The Anahuacalli Museum in Mexico City, a pyramid-shaped structure of volcanic stone, was intended to be the final mansion of Diego Rivera and his wife, Frida Kahlo. Today, it houses Rivera's vast collection of pre-Columbian art. Unlike typical museums, the building's galleries resemble religious or ceremonial chambers, and the corridors are dramatic and cavernous. In 2022, artist Robert Janitz (b. 1962 in Alsfeld, Germany), who had recently moved to Mexico City from New York, was invited to exhibit his work at Anahuacalli. This catalog documents this extraordinary dialogue between pre-Hispanic and contemporary aesthetics. As an outsider, Janitz was free to respond to what he found compelling at Anahuacalli: the colors, the textures, the visionary architecture. Throughout the museum's three floors, Janitz installed large-scale paintings on the walls, even the ceiling and floor, to amplify and distort Rivera's almost ubiquitous decorative program. His paintings of tubular structures, halfway between hieroglyphs and shapes, were spotlit against the heavy, dark stone walls, giving them a jewel-like luminosity and creating an almost metaphysical and spiritual experience. Conceptually and chromatically, Anahuacalli seemed the perfect home for Janitz's extravagantly colored silhouettes. Text in English and Spanish., - Robert Janitz in conversation with the Anahuacalli Museum in Mexico City - An extraordinary dialogue between pre-Hispanic and contemporary aesthetics The Anahuacalli Museum in Mexico City, a pyramid-shaped structure of volcanic stone, was intended to be the final mansion of Diego Rivera and his wife, Frida Kahlo. Today, it houses Rivera's vast collection of pre-Columbian art. Unlike typical museums, the building's galleries resemble religious or ceremonial chambers, and the corridors are dramatic and cavernous. In 2022, artist Robert Janitz (b. 1962 in Alsfeld, Germany), who had recently moved to Mexico City from New York, was invited to exhibit his work at Anahuacalli. This catalog documents this extraordinary dialogue between pre-Hispanic and contemporary aesthetics. As an outsider, Janitz was free to respond to what he found compelling at Anahuacalli: the colors, the textures, the visionary architecture. Throughout the museum's three floors, Janitz installed large-scale paintings on the walls, even the ceiling and floor, to amplify and distort Rivera's almost ubiquitous decorative program. His paintings of tubular structures, halfway between hieroglyphs and shapes, were spotlit against the heavy, dark stone walls, giving them a jewel-like luminosity and creating an almost metaphysical and spiritual experience. Conceptually and chromatically, Anahuacalli seemed the perfect home for Janitz's extravagantly colored silhouettes. Text in English and Spanish.
LC Classification Number
ND588.J3A4 2024
Item description from the seller
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