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The Best Jobs in the Music Industry: Straight Talk from Successful Music Pros by

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9781538137703
Book Title
The Best Jobs in the Music Industry
ISBN
9781538137703
Subject Area
Music, Business & Economics
Publication Name
Best Jobs in the Music Industry : Straight Talk from Successful Music Pros
Publisher
Rowman & Littlefield Publishers, Incorporated
Item Length
10.4 in
Subject
History & Criticism, Careers / General, Business Aspects, Référence
Publication Year
2022
Series
Music Pro Guides
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Michael Redman
Item Weight
29 Oz
Item Width
7.3 in
Number of Pages
366 Pages

About this product

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
1538137704
ISBN-13
9781538137703
eBay Product ID (ePID)
3057259134

Product Key Features

Number of Pages
366 Pages
Language
English
Publication Name
Best Jobs in the Music Industry : Straight Talk from Successful Music Pros
Publication Year
2022
Subject
History & Criticism, Careers / General, Business Aspects, Référence
Type
Textbook
Subject Area
Music, Business & Economics
Author
Michael Redman
Series
Music Pro Guides
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
29 Oz
Item Length
10.4 in
Item Width
7.3 in

Additional Product Features

Edition Number
2
Intended Audience
Scholarly & Professional
LCCN
2022-004602
Reviews
In this 2nd edition of a book first published in 2012, Redman reveals and describes the broad scope of jobs now available in the music industry, from audio engineer to touring musician.... The author focuses on jobs that he considers to be viable in today's changing economy, jobs such as booking agent, digital distributor, music editor, music educator, music librarian, orchestrator, software developer, road manager, et al. Each job description includes information on skill sets, hours, upsides, downsides, salaries, locations, and future prospects. Most enlightening are the interviews, which open up other paths to success and the challenges individuals faced. A useful reference resource. Recommended. Lower- and upper-division undergraduates; students in two year programs; professionals; general readers., The Best Jobs in the Music Industry takes readers through the music business, featuring stellar interviews by eminent industry professionals. If you want to go into the business, this book is your ticket to ride, and it will guide you to all the best stops., Here's an essential guide for exploring the industry beyond the obvious routes. Now in its second edition, the book includes updates and even more exclusive interviews with top pros, giving a look at how music jobs have changed and the long-term impacts of COVID-19. Redman takes readers on a tour of different music careers--from performer to label executive to recording engineer and music producer, plus more--and boils down the essentials of each job and what you will need to get your foot in the door., Michael Redman gives us a comprehensive and entertaining look at the music industry, including interviews with some top, successful bosses in the business. I'm impressed! This second edition is a must read for anyone wondering what's it's like to do what these people do.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.23
Table Of Content
Preface Acknowledgments Introduction Chapter 1: Audio Engineer Michael Semanick--Re-Recording Engineer (Film) Craig Mann--Re-Recording Engineer (Film) Jimmy Douglass--Recording Engineer (Music) Dave Gross--Audio Engineer / Composer Randy Mease--Recording Engineer (Audio Post-Production) Damon Tedesco--Scoring Mixer Eric Gast--Mixing Engineer (Music) Leslie Ann Jones--Recording Engineer (Music), Todd Rundgren--Recording Engineer (Music) Gary Chester--Recording Engineer (Advertising and Film Scores) Chapter 2: Booking Agent Lloyd Hanson--Peyton Entertainment J. J. Casseiere--The Agency Group Justin Bridgewater--The Agency Group Chapter 3: Composer Greg Sims--Film Chuck Carr--Gaming David Newman--Film Andrew Sherman--Advertising Theodore Shapiro--Film Ted Masur--Film Ryan Lott--Advertising and Film Steve Porcaro--TV Lloyd Landesman--Advertising Chapter 4: Digital Distribution Adam Parness--Rhapsody, Amazon Music, Spotify Brian Felsen--FormerPresident, CD Baby Chapter 5: Entrepreneur Dan Zaccagnino--CEO and Founder, Indaba Music Michael Redman--Entrepreneur and Author Tristan Jehan--Founder, The Echo Nest Chapter 6: Lawyer and Business Affairs Lance Grode--USC Law School Philip Cohen--Universal Studios Film, Television, and Production Steve Winogradsky--Independent Lawyer Chapter 7: Live Sound Larry Epstein--President, Paradise Show and Design Michael Redman--Live Sound Mixer Chapter 8: Mastering Engineer Ron Boustead--Revolution Mastering John Blanche--Criteria Recording Chapter 9: Music Editor Craig Pettigrew Emily Rogers Swanson Daniel Carlin Chapter 10: Music Educator Chuck Archard--Professor at Rollins College Keith Lay--Chair of Music technology at Full Sail University Forest Rodgers--Musician, Instructor Daniel Carlin--USC Thornton School of Music, Professor Chapter 11 Music Executive Steven Vincent Chapter 12: Production Music Libraries Adam Taylor--President, Associated Production Music (APM) Michael Redman--President, MyMusicSource Chapter 13: Music Supervisor Kevin Edelman--Metalman Mike Ladman--Droga5 Gary Calamar--Go Music Supervision Raphaella Lima--EA Games Paul Greco--Wunderman Thompson Melany Mitchell--Independent Michael Freeman--Ogilvy & Mather Rudy Chung-- Co-Founder, Pusher Chapter 14: Orchestrator Conrad Pope Penka Kouneva Chapter 15: Part-Time Musician Jeff Matz--Lure Design Chapter 16: Music Producer Russ Titelman Phoenix Red Veit Renn Mark Bright Scott Mathews Chapter 17: Music Publishing David Simoné--Partner, Primary Wave Music Publishing Eric Bettelli--Music Connection Mark Bright--Chatterbox Music Jenna Rubenstien--Jellybean Chapter 18: Record Label Tomas Cookman--Nacional Records Thaddeus Rudd--Mom & Pop Records Chapter 19: Road Manager Mark Litten--Def Leppard and Metallica Mary Lou Arnold--Todd Rundgren Sean Murray--Allison Krauss Chapter 20: Session Musician Tim Akers--Keyboardist Arnold McCuller-- Session Singer Lee Sklar--Bassist Paul Ill--Bassist, Songwriter Chapter 21: Songwriter Harold Payne Kevin Quinn Chapter 22: Software / Plugin Developer Bjorn Roche--Independent Software Designer Yoad Nevo--Waves Ed Gray--VP, Avid Technology, Inc., Pro Tools Chapter 23: Studio Owner Andrew Sherman--Butter Studio Michael Redman--RedHouse Chapter 24: Touring Musician Tim Akers--Keyboardist Eric Levy--Keyboardist Billy Ashbaugh--Drummer Arnold McCuller--Vocalist Lee Sklar--Bassist Next Steps
Synopsis
The Best Jobs in the Music Industry is an essential career guide for those who love music and are exploring different areas of the music industry beyond the obvious performer route. This second edition includes updates and even more interviews, giving a look at how music jobs have changed and the long-term impacts of COVID-19 on the industry. Michael Redman boils down the job requirements, skill sets, potential revenue, longevity, benefits, and challenges of a variety of music careers, from performer to label executive to recording engineer and music producer. Each description of a job starts with a short summary, followed by stories of the paths to success and the challenges you may confront-all in the words of real pros. Redman interviews over sixty professionals in the business, including Lee Sklar (session and touring musician), Damon Tedesco (scoring mixer), Brian Felsen (CEO of CD Baby), Mike Boris (worldwide director of music for McCann Advertising), David Newman (composer), Michael Semanick (re-recording mixer), Conrad Pope (orchestrator), Todd Rundgren (musician), Gary Calamar (music supervisor), Mark Bright (producer), and Scott Mathews (producer)., Most people looking at the music industry as a career only think of artist, producer, and engineer, but there are a multitude of other exciting options that offer financial security and keep you close to the music you love. The Best Jobs in the Music Industry is an essential guide for those who want to explore different areas of the industry beyond these obvious routes. This second edition includes updates and even more exclusive interviews with top professionals, giving a look at how music jobs have changed and the long-term impacts of COVID-19 on the industry. Michael Redman takes readers on a tour of different music careers--from performer to label executive to recording engineer and music producer, plus more--and boils down the essentials of each job and what you will need to get your foot in the door including: job requirements skill set potential revenue longevity benefits challenges Over sixty professionals in the business share their experiences, the good and bad, and how you might take your next steps in your career--including Lee Sklar (session and touring musician), Damon Tedesco (scoring mixer), Adam Parness (executive licensing at Spotify), Mike Ladman (music supervisor at Droga5 advertising), David Newman (composer), Michael Semanick (re-recording mixer), Conrad Pope (orchestrator), Todd Rundgren (music legend), Gary Calamar (music supervisor), Mark Bright (producer), and Steven Vincent (SVP of Music & Soundtracks for the Disney Channel)., Most people looking at the music industry as a career only think of artist, producer, and engineer, but there are a multitude of other exciting options that offer financial security and keep you close to the music you love. The Best Jobs in the Music Industry is an essential guide for those who want to explore different areas of the industry beyond these obvious routes. This second edition includes updates and even more exclusive interviews with top professionals, giving a look at how music jobs have changed and the long-term impacts of COVID-19 on the industry. Michael Redman takes readers on a tour of different music careers-from performer to label executive to recording engineer and music producer, plus more-and boils down the essentials of each job and what you will need to get your foot in the door including: -job requirements -skill set -potential revenue -longevity -benefits -challenges Over sixty professionals in the business share their experiences, the good and bad, and how you might take your next steps in your career-including Lee Sklar (session and touring musician), Damon Tedesco (scoring mixer), Adam Parness (executive licensing at Spotify), Mike Ladman (music supervisor at Droga5 advertising), David Newman (composer), Michael Semanick (re-recording mixer), Conrad Pope (orchestrator), Todd Rundgren (music legend), Gary Calamar (music supervisor), Mark Bright (producer), and Steven Vincent (SVP of Music & Soundtracks for the Disney Channel)., Michael Redmantakes readers on a tour of different music careers--from performer to label executive to recording engineer and producer, plus more--and boils down the essentials of each job. This second edition includes updates and even more interviews with top pros, giving a look at how these jobs have changed and the long-term impacts of COVID-19.
LC Classification Number
ML3795.R414 2022
ebay_catalog_id
4

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