PRINTED IMAGES IN COLONIAL AUSTRALIA, 1801-1901 By Roger Butler - Hardcover

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Item specifics

Condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Pristine condition”
Personalize
No
Signed
No
Custom Bundle
No
Ex Libris
No
ISBN-10
0642541809
Personalized
No
Country/Region of Manufacture
Australia
Inscribed
No
Vintage
No
ISBN
9780642541802
Category

About this product

Product Identifiers

Publisher
National Gallery of Australia
ISBN-10
0642541809
ISBN-13
9780642541802
eBay Product ID (ePID)
59938472

Product Key Features

Number of Pages
312 Pages
Language
English
Publication Name
Printed Images in Colonial Australia, 1801-1901
Publication Year
2007
Subject
Asian / General, General
Type
Textbook
Subject Area
Art
Author
Roger Butler
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
77.8 Oz
Item Length
11.9 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
Covering a fascinating transformative period, this catalog is recommended for both academic and public libraries.
Dewey Edition
22
Grade From
College Graduate Student
Number of Volumes
2 vols.
Illustrated
Yes
Dewey Decimal
760.0994
Table Of Content
Foreword Acknowledgments Introduction Printmaking in New South Wales before 1822 Artisans and artists Printed images for all Notes Select bibliography Index
Synopsis
This book reveals some of the remarkable colonial works that form the cornerstones of the National Gallery of Australia's collection of Australian prints. The earliest intaglio prints were produced in New South Wales by a free settler, John Lewin, whose exquisitely hand-colored etchings of moths and birds were published in 1805 and 1808-13. The first views of the colony to be printed locally were published in 1812-14 by an entrepreneurial emancipist and engraved by the convicts assigned to him. From a culture of "making do" in the early decades of the penal settlement, the extent, quality, and scope of print production increased exponentially and kept pace with developments overseas. The backgrounds of the printmakers whose work is discussed varied greatly, with professional trade workers and artists making equally important contributions. By the mid-nineteenth century, printmaking was firmly established in key areas of commercial enterprise, science, architecture, art, advertising, illustrated books, and newspapers. Through the second half of the century printmaking in Australia continued to match developments overseas. One particular high point for wood-engravers was the production of the lavish Picturesque Atlas of Australasia, published between 1886-88, to coincide with the centenary of European settlement. Printed Images in Colonial Australia concludes with the photogravure of Tom Roberts's painting commissioned to celebrate the federation of the Australian states in 1901. The 377 images reproduced here, many of them exceedingly rare or long overlooked, are presented alongside Roger Butler's original research and information not previously assembled to give full weight to the important role of the printed image in Australian art and culture., .This book reveals some of the remarkable colonial works that form the cornerstones of the National Gallery of Australia's collection of Australian prints., This work is the first of a groundbreaking three-volume series on Australian printmaking, Printed --the most comprehensive coverage of Australian prints to be published. The series draws on the national art collection, comprising over 36 000 prints., This book reveals some of the remarkable colonial works that form the cornerstones of the National Gallery of Australia?s collection of Australian prints. The earliest intaglio prints were produced in New South Wales by a free settler, John Lewin, whose exquisitely hand-colored etchings of moths and birds were published in 1805 and 1808?13. The first views of the colony to be printed locally were published in 1812?14 by an entrepreneurial emancipist and engraved by the convicts assigned to him. From a culture of ?making do? in the early decades of the penal settlement, the extent, quality, and scope of print production increased exponentially and kept pace with developments overseas. The backgrounds of the printmakers whose work is discussed varied greatly, with professional trade workers and artists making equally important contributions. By the mid-nineteenth century, printmaking was firmly established in key areas of commercial enterprise, science, architecture, art, advertising, illustrated books, and newspapers. Through the second half of the century printmaking in Australia continued to match developments overseas. One particular high point for wood-engravers was the production of the lavish Picturesque Atlas of Australasia, published between 1886?88, to coincide with the centenary of European settlement. Printed Images in Colonial Australia concludes with the photogravure of Tom Roberts?s painting commissioned to celebrate the federation of the Australian states in 1901. The 377 images reproduced here, many of them exceedingly rare or long overlooked, are presented alongside Roger Butler?s original research and information not previously assembled to give full weight to the important role of the printed image in Australian art and culture., This work is the first of a groundbreaking three-volume series on Australian printmaking, the most comprehensive coverage of Australian prints to be published. The series draws on the national collection, comprising over 36 000 prints.
LC Classification Number
N7680.B88 2008

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