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Tonal Harmony, with an Introduction to Twentieth-Cent
by Stefan Kostka; Dorothy Payne | HC | VeryGood
US $13.57
ApproximatelyRM 57.12
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Aurora, Illinois, United States
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eBay item number:376502051272
Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Hardcover
- Book Title
- Tonal Harmony, with an Introduction to Twentieth-Century Music
- Weight
- 3 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780072852608
About this product
Product Identifiers
Publisher
Glencoe/McGraw-Hill
ISBN-10
0072852607
ISBN-13
9780072852608
eBay Product ID (ePID)
2476361
Product Key Features
Number of Pages
688 Pages
Publication Name
Tonal Harmony
Language
English
Publication Year
2003
Subject
Instruction & Study / General, Instruction & Study / Theory
Features
Revised
Type
Textbook
Subject Area
Music
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
49.3 Oz
Item Length
10.3 in
Item Width
8 in
Additional Product Features
Edition Number
5
Intended Audience
College Audience
LCCN
2003-042213
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
781.2/5
Table Of Content
Preface To the Student Part I: Fundamentals Chapter 1: Elements of Pitch The Keyboard and Octave Registers Notation of the Staff The Major Scale The Major Key Signatures Minor Scale Minor Key Signatures Scale Degree Names Intervals Perfect, Major, and Minor Intervals Augmented and Diminished Intervals Inversion of Intervals Consonant and Dissonant Intervals Summary Chapter 2: Elements of Rhythm Rhythm Durational Symbols Beat and Tempo Meter Division of the Beat Simple Time Signatures Compound Time Signatures Time Signatures Summarized More on Durational Symbols Summary Chapter 3: Introduction to Triads and Seventh Chords Introduction Triads Seventh Chords Inversions of Chords Inversion Symbols and Figured Bass Lead Sheet Symbols Recognizing Chords in Various Textures Summary Chapter 4: Diatonic Chords in Major and Minor Keys Introduction The Minor Scale Diatonic Triads in Major Diatonic Triads in Minor Diatonic Seventh Chords in Major Diatonic Seventh Chords in Minor Summary Part II: Diatonic Triads Chapter 5: Principles of Voice Leading Introduction The Melodic Line Notating Chords Voicing a Singe Triad Parallel Motion Summary Chapter 6: Root Position Part Writing Introduction Root Position Part Writing with Repeated Roots Root Position Part Writing with Roots a 4th (5th) Apart Root Position Part Writing with Roots a 3rd (6th) Apart Root Position Part Writing with Roots a 3rd(7th) Apart Instrumental Ranges and Transpositions Summary Chapter 7: Harmonic Progression Introduction Sequences and the Circle of Fifths The I and V Chords The II Chord The VI Chord The III Chord The VII Chord The IV Chord Common Exceptions Differences in the Minor Mode Progressions Involving Seventh Chords Harmonizing a Simple Melody Conclusion Summary Chapter 8: Triads in First Inversion Introduction Bass Arpeggiation Substituted First Inversion Triads Parallel Sixth Chords Part Writing First Inversion Triads Soprano-Bass Counterpoint Summary Chapter 9: Triads in Second Inversion Introduction Bass Arpeggiation and the Melodic Bass The Cadential Six-Four The Passing Six-Four The Pedal Six-Four Part Writing for Second Inversion Triads Summary Chapter 10: Cadences, Phrases, and Periods Musical Form Cadences Cadences and Harmonic Rhythm Motives and Phrases Mozart: "An die Freude" Period Forms Summary Chapter 11: Non Chord Tones 1 Introduction Classification of Non-Chord Tones Passing Tones Neighboring Tones Suspensions and Retardations Figured Bass and Lead Sheet Symbols Embellishing a Simple Texture Summary Chapter 12: Non-Chord Tones 2 Appoggiaturas Escape Tones The Neighbor Group Anticipations The Pedal Point Special Problems in the Analysis of Non-Chord Tones Summary Part III: Diatonic Seventh Chords Chapter 13: The V7 Chord Introduction General Voice-Leading Considerations The V7 in Root Position The V7 in Three Parts Other Resolutions of the V7 The Inverted V7 Chord The V6/5 Chord The V4/3 Chord The V4/2 Chord The Approach to the Seventh Summary Chapter 14: The II7 and VII7 Chords Introduction The II7 Chord The VII7 Chord in Major The VII7 Chord in Minor Summary Chapter 15: Other Diatonic Seventh Chords The IV7 Chord The VI7 Chord The I7 Chord The III7 Chord Seventh Chords and the Circle-of -Fifths Progression Summary Part IV: Chromaticism 1 Chapter 16: Secondary Functions 1 Chromaticism and Altered Chords Secondary Functions Secondary Dominant Chords<b
Edition Description
Revised edition
Synopsis
Designed to meet the needs of the two-semester theory curriculum for music majors, this work emphasizes practicality for the student and professor. Variation is a new in-text element, at the end of each chapter, pointing students to the OLC to expand on specific topics.
LC Classification Number
MT50.K85 2004
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