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Haydn's Keyboard Music : Studies in Performance Practice Bernard
Free US Delivery | ISBN:0198163258
US $28.98
ApproximatelyRM 122.45
Condition:
“Former library book; may include library markings. Used book that is in excellent condition. May ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Reno, Nevada, United States
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eBay item number:376448555598
Item specifics
- Condition
- Very Good
- Seller Notes
- Features
- EX-LIBRARY
- Book Title
- Haydn's Keyboard Music : Studies in Performance Practice Bernard
- ISBN
- 9780198163251
About this product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198163258
ISBN-13
9780198163251
eBay Product ID (ePID)
91170
Product Key Features
Number of Pages
454 Pages
Publication Name
Haydn's Keyboard Music : Studies in Performance Practice
Language
English
Subject
History & Criticism, Genres & Styles / Classical, Instruction & Study / General, Printed Music / Piano & Keyboard Repertoire
Publication Year
1997
Type
Textbook
Subject Area
Music
Series
Oxford Monographs on Music Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
29.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
95-049505
Dewey Edition
20
Reviews
'written in a continuous and stylish prose which makes it a delight to read ... An excellent bibliography and index finish off the volume. It is highly recommended.'Harpsichord & fortepiano, Vol 9, No 1, Spring 2001'Harrison is always eager to examine every scrap of evidence in detail, spelling out his thought processes before arriving at cautious conclusions ... excellent book.'David Rowland, Early Music'this is an extremely valuable study ...'Early Music Review, 32, July 1997'If a choice must be limited ot one text on how to perform Haydn's keyboard music, the edge must go to Harrison's for its comprehensiveness, clarity and exclusive focus ... this is a valuable contribution to what will certainly be a continuing discussion of an elusive subject.'A. Peter Brown, Music and Letters'Harrison provides useful insights into the performance practices concerning Joseph Haydn's sonatas for keyboard instruments ... graduate students and faculty will find much of interest in this book.'W. E. Grim, CHOICE, 'written in a continuous and stylish prose which makes it a delight to read ... An excellent bibliography and index finish off the volume. It is highly recommended.'Harpsichord and fortepiano, Vol 9, No 1, Spring 2001, 'If a choice must be limited ot one text on how to perform Haydn's keyboard music, the edge must go to Harrison's for its comprehensiveness, clarity and exclusive focus ... this is a valuable contribution to what will certainly be a continuing discussion of an elusive subject.'A. Peter Brown, Music and Letters, "A major contribution to Hayden scholarship. Potential performers of the composer's keyboard music will find a commanding and well-documented exposition of the problems facing him or her; at the same time the volume will be of fundamental value to those interested in Haydn's music who are not primarily practitioners....Comprehensive and authoritative."--David Wyn Jones, 'Harrison provides useful insights into the performance practices concerning Joseph Haydn's sonatas for keyboard instruments ... graduate students and faculty will find much of interest in this book.'W. E. Grim, CHOICE, 'Harrison is always eager to examine every scrap of evidence in detail, spelling out his thought processes before arriving at cautious conclusions ... excellent book.'David Rowland, Early Music
Illustrated
Yes
Dewey Decimal
786.1/43/092
Synopsis
In this first full-scale study of performance practice in Haydn's keyboard music, Bernard Harrison confronts the important issues facing any performer of Haydn's keyboard music, and at the same time develops some of the recurring controversial questions in broader research on Haydn's oeuvre. 'a major contribution to Haydn scholarship. Potential performers of the composer's keyboard music will find a commanding and well-documented exposition of the problems facing him or her; at the same time the volume will be of fundamental value to those interested in Haydn's music who are not primarily practitioners ... comprehensive and authoritative.' David Wyn Jones, In this first full-scale study of performance practice in Haydn's keyboard music, Bernard Harrison confronts the important issues facing any performer of this repertoire, and considers some of the recurring controversial questions in broader research on Haydn's oeuvre ., In this comprehensive study of performance practice in Haydn's keyboard music, Bernard Harrison confronts the important issues facing any performer of Haydn's keyboard music. He deals with the full range of Haydn's keyboard work - concertos, divertimenti, concertini, trios, Klavierstücke, and sonatas - and emphasizes the connection between performance practice and compositional style. He addresses many of the most controversial issues in recent research on the performance practice of eighteenth- century music, and takes a stance on some of the recurring controversies in Haydn research. Haydn's ornamentation is treated in four extensive chapters which range over Haydn's changing notational practices, the large corpus of 18th-century theoretical information on performance, and an examination of the music itself. Other issues in performance are elucidated in wide-ranging discussions, and Harrison presents new evidence on the question of the influence of C.P.E. Bach on Haydn. He surveys broader aspects of interpretation, commenting sympathetically but critically on the phenomenon of 'early music'., In this comprehensive study of performance practice in Haydn's keyboard music, Bernard Harrison confronts the important issues facing any performer of Haydn's keyboard music. He deals with the full range of Haydn's keyboard work - concertos, divertimenti, concertini, trios, Klavierstücke, and sonatas - and emphasizes the connection between performance practice and compositional style. He addresses many of the most controversial issues in recent research on the performance practice of eighteenth- century music, and takes a stance on some of the recurring controversies in Haydn research.Haydn's ornamentation is treated in four extensive chapters which range over Haydn's changing notational practices, the large corpus of 18th-century theoretical information on performance, and an examination of the music itself. Other issues in performance are elucidated in wide-ranging discussions, and Harrison presents new evidence on the question of the influence of C.P.E. Bach on Haydn. He surveys broader aspects of interpretation, commenting sympathetically but critically on the phenomenon of 'early music'.
LC Classification Number
ML410.H4H315 1997
Item description from the seller
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- l***s (296)- Feedback left by buyer.Past monthVerified purchaseItem received as described, thanks!
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Seller feedback (436,013)
- l***s (296)- Feedback left by buyer.Past monthVerified purchaseItem received as described, thanks!
- 4***8 (2379)- Feedback left by buyer.Past monthVerified purchaseThanks!
- t***a (2820)- Feedback left by buyer.Past monthVerified purchaseFast Well Packaged Shipping - Nice Book - Good Price - A+