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Word, Image, and Song : Essays on Early Modern Italy, Hardcover by Cypress, R...
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eBay item number:364769129435
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Word, Image, and Song : Essays on Early Modern Italy
- ISBN
- 9781580464291
- Subject Area
- Music
- Publication Name
- Word, Image, and Song : Essays on Early Modern Italy
- Publisher
- University of Rochester Medical Press
- Item Length
- 9.3 in
- Subject
- History & Criticism, Genres & Styles / Classical, Ethnic
- Publication Year
- 2013
- Series
- Eastman Studies in Music Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1 in
- Item Weight
- 26.7 Oz
- Item Width
- 6.8 in
- Number of Pages
- 414 Pages
About this product
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580464297
ISBN-13
9781580464291
eBay Product ID (ePID)
117112374
Product Key Features
Number of Pages
414 Pages
Publication Name
Word, Image, and Song : Essays on Early Modern Italy
Language
English
Subject
History & Criticism, Genres & Styles / Classical, Ethnic
Publication Year
2013
Type
Textbook
Subject Area
Music
Series
Eastman Studies in Music Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
26.7 Oz
Item Length
9.3 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
Almost every essay is rooted in seventeenth-century Venice. Nonetheless, the editors have achieved what amounts to a landmark collection of scholarly commentary on the compositional, spatial, visual, hermeneutic, and socio-political power of musical drama in this period. will appeal to scholars across a wide array of disciplines. Encourages a keen reconsideration of documentary sources and the stratified ways in which they can be read, . . . combining empirical analysis with a keen cultural and humanistic perspective. [Cusick's chapter] engages the reader in an old musicological topic made fresh by means of a compelling methodological framework. MUSIC & LETTERS The excellent scholarship, brilliant insights, and fresh and sometimes unconventional thinking in this impressive collection offer a significant contribution to the study of the relationship of music and verbal text in seventeenth-century Italy. Representing modern approaches to questions that in some cases are more than a century old, these essays reflect a harmonious variety of methods, points of view, and interests. --Hendrik Schulze, University of North Texas
Series Volume Number
101
Number of Volumes
2 vols.
Illustrated
Yes
Volume Number
Vol. 1
Table Of Content
Maria Cavalli, Copyist and Teacher - Jennifer Williams BrownIl ritorno di Poppea: A New German Source Provokes Some New Thoughts-and Old Arguments - Alan CurtisAn Unreported Mantuan Libretto from 1623 - Gary TomlinsonThe Triumph of Inconstancy: The Vicissitudes of a Seventeenth-Century Libretto - Beth Glixon and Jonathan E. GlixonA Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" - Dinko FabrisRecordings of Music Written for St. Mark's: An Architectural Historian's View - Deborah HowardThe Twenty-Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid-Seventeenth-Century Italian Opera - Alvaro Torrente"Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento - Suzanne G. CusickThe Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea - Wendy HellerBaciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven - Andrew H. WeaverPowerless Spirit: Echo on the Musical Stage of the Late Renaissance - Barbara Russano HanningExcavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid - Susan Parker ShimpMusic as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer - Robert R. HolzerGiambattista Marino's Operatic Aesthetics - Giuseppe MazzottaStrophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi - Ruth I. DeFordCantar ottave, cantar storie - Margaret MurataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaissance - Barbara Russano HanningExcavating Virgil in Counter-Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid - Susan Parker ShimpMusic as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer - Robert R. HolzerGiambattista Marino's Operatic Aesthetics - Giuseppe MazzottaStrophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi - Ruth I. DeFordCantar ottave, cantar storie - Margaret MurataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [pictaataDramatizing Discourse in Seventeenth-Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) - Mauro CalcagnoIncitamentum amoris musica [picta] - Prof David RosandSelected BibliographyList of ContributorsIndex
Synopsis
The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical works such as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries. Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan Parker Shimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College., New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical workssuch as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries. Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.nifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.nifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.nifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College., New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts., New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts. The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical workssuch as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries. Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.
LC Classification Number
ML290.2.W67 2013
ebay_catalog_id
4
Copyright Date
2013
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