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Yiddish Writers in Weimar Berlin: A Fugitive Modernism by Marc Caplan: Used
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ApproximatelyRM 123.52
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A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Item specifics
- Condition
- Book Title
- Yiddish Writers in Weimar Berlin: A Fugitive Modernism
- Publication Date
- 2021-01-05
- Pages
- 394
- ISBN
- 9780253052001
About this product
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253052009
ISBN-13
9780253052001
eBay Product ID (ePID)
14038255150
Product Key Features
Number of Pages
394 Pages
Language
English
Publication Name
Yiddish Writers in Weimar Berlin : a Fugitive Modernism
Subject
Modern / 20th Century, Jewish
Publication Year
2021
Type
Textbook
Subject Area
Literary Criticism
Series
German Jewish Cultures Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
21.4 Oz
Item Length
9.1 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-021767
Dewey Edition
23
Reviews
Caplan [is] mindful of and likely alarmed by the parallels between the 2020s and the 1920s, and rightly draw our attention to works of art and literature that might help us navigate our own troubled era., Yiddish Writers in Weimar Berlin is full of sharp insights and bold statements, which at times can raise incidental doubts in the reader's mind. Caplan's book is a work of creative critical research on modern Yiddish literature, particularly well-suited to the contemporary historical moment., Yiddish Writers in Weimar Berlin is a remarkable work of critical imagination that stages a conversation between Yiddish and German modernism., Caplan's work is a sprawling, at times idiosyncratic,rich, and deeply earnest stu y of modernist aesthetics and the political, social, artistic, and lit rary contexts that inform them from the vantage points of center and periphery., Caplan's work is a sprawling, at times idiosyncratic, rich, and deeply earnest study of modernist aesthetics and the political, social, artistic, and literary contexts that inform them from the vantage points of center and periphery., Yiddish Writers in Weimar Berlin offers a riveting analysis of the poetic and political force of Yiddish modernism, but it is also an invitation to look at Yiddish avant-garde beyond the confines of Jewish culture., Caplan's analysis is most fascinating when it is able to illuminate points of tension or difference between German and yiddish-language gazes east that appear in literary depictions produced in Berlin in the 1920s and early 1930s., "In this richly informed study, Marc Caplan gives voice to the radically cosmopolitan "Weimar Yiddishists." His brilliant juxtapositions both capture these writers' unique contribution to modernist aesthetics and illuminate the reciprocal encounter between Eastern European Jews and interwar German culture. The result is intellectual history as it should be written: lucid in style and capacious in breadth."--Vivian Liska, author of German-Jewish Thought and Its Afterlife "This original, insightful and thought-provoking book opens up a new avenue in comparative literature studies by engaging the leading Yiddish and German authors of the Weimar period in a multilayered conversation. Caplan navigates the diversity of literary voices with confidence and finesse, taking his lead expertly from the key European thinkers of the age. Yiddish Writers in Weimar Berlin will significantly enrich our understanding of European Jewish modernity and generate lively scholarly debate."--Mikhail Krutikov, author of Der Nister's Soviet Years "Marc Caplan offers us an entirely new vantage point from which to read a set of fascinating literary texts. Yiddish Writers in Weimar Berlin demonstrates why they matter and why it is useful to spend time with them under the guidance of an knowledgeable and playful reader like Caplan. Through Caplan's lens, the texts both illuminate their own historical moment and remind us that history continues to pulse through our present."--Na'ama Rokem, author of Prosaic Conditions: Heinrich Heine and the Spaces of Zionist Literature "Caplan's work is a sprawling, at times idiosyncratic,rich, and deeply earnest stu y of modernist aesthetics and the political, social, artistic, and lit rary contexts that inform them from the vantage points of center and periphery."--Jessica Kirzane - The University of Chicago " Yiddish Writers in Weimar Berlin is a remarkable work of critical imagination that stages a conversation between Yiddish and German modernism. In lively and often memorable prose, Caplan analyzes "the reciprocal encounter between Eastern European Jews and German culture, concentrating primarily on a small group of avant-garde Yiddish writers working in Berlin during the Weimar Republic, taken in comparison with corresponding figures working in German-language literature, critical theory, journalism, and film."--Matthew Johnson, German Studies Review, "In this richly informed study, Marc Caplan gives voice to the radically cosmopolitan "Weimar Yiddishists." His brilliant juxtapositions both capture these writers' unique contribution to modernist aesthetics and illuminate the reciprocal encounter between Eastern European Jews and interwar German culture. The result is intellectual history as it should be written: lucid in style and capacious in breadth."--Vivian Liska, author of German-Jewish Thought and Its Afterlife "This original, insightful and thought-provoking book opens up a new avenue in comparative literature studies by engaging the leading Yiddish and German authors of the Weimar period in a multilayered conversation. Caplan navigates the diversity of literary voices with confidence and finesse, taking his lead expertly from the key European thinkers of the age. Yiddish Writers in Weimar Berlin will significantly enrich our understanding of European Jewish modernity and generate lively scholarly debate."--Mikhail Krutikov, author of Der Nister's Soviet Years "Marc Caplan offers us an entirely new vantage point from which to read a set of fascinating literary texts. Yiddish Writers in Weimar Berlin demonstrates why they matter and why it is useful to spend time with them under the guidance of an knowledgeable and playful reader like Caplan. Through Caplan's lens, the texts both illuminate their own historical moment and remind us that history continues to pulse through our present."--Na'ama Rokem, author of Prosaic Conditions: Heinrich Heine and the Spaces of Zionist Literature "Caplan's work is a sprawling, at times idiosyncratic,rich, and deeply earnest stu y of modernist aesthetics and the political, social, artistic, and lit rary contexts that inform them from the vantage points of center and periphery."--Jessica Kirzane - The University of Chicago " Yiddish Writers in Weimar Berlin is a remarkable work of critical imagination that stages a conversation between Yiddish and German modernism. In lively and often memorable prose, Caplan analyzes "the reciprocal encounter between Eastern European Jews and German culture, concentrating primarily on a small group of avant-garde Yiddish writers working in Berlin during the Weimar Republic, taken in comparison with corresponding figures working in German-language literature, critical theory, journalism, and film."--Matthew Johnson, German Studies Review " Yiddish Writers in Weimar Berlin offers a riveting analysis of the poetic and political force of Yiddish modernism, but it is also an invitation to look at Yiddish avant-garde beyond the confines of Jewish culture."--Marc Volovici, In Geveb: A Journal of Yiddish Studies "Caplan's analysis is most fascinating when it is able to illuminate points of tension or difference between German and yiddish-language gazes east that appear in literary depictions produced in Berlin in the 1920s and early 1930s."--Emma Woelk, The German Quarterly
Grade From
College Graduate Student
Dewey Decimal
839.100943115
Table Of Content
Acknowledgments Introduction: Weimar and Now Spectral Empires: Landscapes, Nation-States, and the Homelessness of Weimar Modernism 1. A Past Become Space: Alfred Döblin and Dovid Bergelson in Poland, the Soviet Union?and Berlin 2. At the Crossroads of the Twentieth Century: Neue Sachlichkeit and Dovid Bergelson's Berlin Stories Melancholic Conspiracies: Masks, Masques, and the Performance of Self in Yiddish and German Modernism 3. Watch the Throne: The Baroque, The Gothic, and Symbolism in Der Nister's Early Stories 4. Harold Lloyd and the Hermit: Popular Culture, Gothic Aesthetics, and the End of Der Nister's Symbolist Career Apocalyptic Origins: The Politics of Nostalgia in German and Yiddish Modernism 5. Arrested Development: Fragmentation, Apocalypse, and the Pursuit of Origins in Joseph Roth's Representation of Eastern Europe 6. Moyshe Kulbak's Berlin Writings: Here, There, Everywhere (Nowhere) Conclusion: Origin Is the Goal Bibliography Index
Synopsis
In Yiddish Writers in Weimar Berlin , Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers?Dovid Bergelson, Der Nister, and Moyshe Kulbak?working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism., In Yiddish Writers in Weimar Berlin , Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers--Dovid Bergelson, Der Nister, and Moyshe Kulbak--working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism., In Yiddish Writers in Weimar Berlin , Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I.
LC Classification Number
PJ5143.C37 2021
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