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Physical Evidence: Selected Film Criticism by Kent Jones: Used

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Publication Date
2007-09-28
Pages
248
ISBN
0819568449
Book Title
Physical Evidence : Selected Film Criticism
Item Length
9.2in
Publisher
Wesleyan University Press
Publication Year
2007
Format
Hardcover
Language
English
Item Height
0.9in
Author
Kent Jones
Genre
Performing Arts
Topic
Film / General
Item Width
6.3in
Item Weight
18.4 Oz
Number of Pages
248 Pages

About this product

Product Information

An expert writer and thinker on movie history and directorial style, Kent Jones is among the most notable film critics of his generation. His sharp, informed analyses and cogent assessments of cinema and its practitioners have made him a significant voice both in America and internationally. Jones' inaugural collection brings together the best of his reviews (on films including In the Mood for Love, A History of Violence, and The New World), evaluations of specific filmmakers (Wes Anderson, John Cassavetes, and the Coen brothers), polemics (on summer blockbusters, digital cinema, and Hollywood politics), and appreciations of other film critics. Several of these pieces are published here in English for the first time, having previously appeared only in the French journals Cahiers du Cin ma and Trafic. Physical Evidence is a penetrating and personal examination of contemporary and classic cinema, one that values nothing so much as seeing on the screen the proof--the physical evidence--of the filmmaker's own personal quest.

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819568449
ISBN-13
9780819568441
eBay Product ID (ePID)
60706362

Product Key Features

Book Title
Physical Evidence : Selected Film Criticism
Author
Kent Jones
Format
Hardcover
Language
English
Topic
Film / General
Publication Year
2007
Genre
Performing Arts
Number of Pages
248 Pages

Dimensions

Item Length
9.2in
Item Height
0.9in
Item Width
6.3in
Item Weight
18.4 Oz

Additional Product Features

Lc Classification Number
Pn1994.J59 2007
Reviews
"Kent Jones is singular and irreplaceable: the film critic who is most alive to this moment. He is the critic of now, for now. This collection is sophisticated, fresh, unpredictable--fully attuned to the contemporary moment while displaying a marvelous historical grasp."--Phillip Lopate, essayist and critic "Kent Jones is singular and irreplaceable: the film critic who is most alive to this moment. He is the critic of now, for now. This collection is sophisticated, fresh, unpredictable--fully attuned to the contemporary moment while displaying a marvelous historical grasp."--Phillip Lopate, essayist and critic, "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit-and rethink your opinions on-whatever he's tackling. …Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."-David Fear, Time Out New York, "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit--and rethink your opinions on--whatever he's tackling. ...Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."--David Fear, Time Out New York, "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisitÑand rethink your opinions onÑwhatever he's tackling. ÉJones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."ÑDavid Fear, Time Out New York, "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit-and rethink your opinions on-whatever he's tackling. ...Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."-David Fear, Time Out New York, Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit-and rethink your opinions on-whatever he's tackling. ...Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible., "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit--and rethink your opinions on--whatever he's tackling. ...Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."--David Fear, Time Out New York "Kent Jones is singular and irreplaceable: the film critic who is most alive to this moment. He is the critic of now, for now. This collection is sophisticated, fresh, unpredictable--fully attuned to the contemporary moment while displaying a marvelous historical grasp."--Phillip Lopate, essayist and critic, "Whether it's an appreciation for B-movie auteur John Carpenter, a love letter to fellow critic Manny Farber or a dismantling put-down of the Coen brothers, Jones communicates the kind of genuine enthusiasm and insight that inspire giddy desires to revisit-and rethink your opinions on-whatever he's tackling. Jones has the enviable ability to write in a manner that's intellectually rigorous without being inaccessible."-David Fear, Time Out New York
Table of Content
Introduction SECTION 1: DIRECTORS Assayas Hou Wes Anderson Jia Coen Brothers Green Martel Carpenter Cassavetes SECTION 2: FILMS "In the Mood for Love" "Beau Travail" "In Praise of Love" "The Wind Will Carry Us" "Waking Life" "Sunshine State" "Magnolia" "Some American Comedies" "A History of Violence" "The New World" SECTION 3: "THINK PIECES" Summer Blockbusters Digital Cinema Documentary-Fiction Hybrids Cannes 2005 Leftist Hollywood SECTION 4: OUT OF THE FOG Allan Dwan's Comedies Orson Welles "The Glass Web" "Big Wednesday" "The Driver" "Sorcerer" "A Perfect World" "The Big Red One" SECTION 5: TWO CRITICS Andrew Sarris Manny Farber
Copyright Date
2007
Lccn
2007-012626
Dewey Decimal
791.43
Intended Audience
Trade
Series
Wesleyan Film Ser.
Dewey Edition
22

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