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Latina Performance: Traversing the Stage by Alicia Arrizon: New
US $33.35
ApproximatelyRM 140.99
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eBay item number:364049884126
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Latina Performance: Traversing the Stage
- Publication Date
- 1999-09-22
- Pages
- 248
- ISBN
- 9780253212856
About this product
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253212855
ISBN-13
9780253212856
eBay Product ID (ePID)
250727
Product Key Features
Number of Pages
248 Pages
Language
English
Publication Name
Latina Performance : Traversing the Stage
Publication Year
1999
Subject
Caribbean & Latin American, Theater / General, Theater / History & Criticism, Anthropology / Cultural & Social
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Social Science
Series
Unnatural Acts: Theorizing the Performative Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
99-011577
Dewey Edition
21
Reviews
Arrizon's (Arrizon's) important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. Latinas use writing and performance to address gender and sexuality within an ever--changing framework of their lives and history, redefining Latina identity and subjectivity. The Chicana/o theatrical tradition since the 1960s owes a debt to the popular Spanish--language vaudeville forms performed by Beatriz Escalona (La Chata Noloesca), the work of Josefina Niggli in community theater, and other performers who recognized the common core of their community as based on a consciousness of historical collectivity and pluralistic sensitivities. The Latina experience is broad and complex, and the term traversing in the title indicates a movement that induces the subject into an uncertain position, with transitions in identity and space. In Cross--Border Subjectivity and the Dramatic Text, Arrizon (Arrizon) addresses geopolitics and cultural survival in work by Milcha Sanchez--Scott, Dolores Prida, and Josefina Lopez; Self--Representation: Race, Ethnicity, and Queer Identity looks at the work of performance artists Monica Palacios and Alina Troyano/Carmelita Tropicana. Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper--division undergraduates through professionals.E. C. Ramirez, St. Philip's College, Choice, February 2002--E. C. Ramirez, St. Philip's College"Choice" (01/01/2002), "Arrizón's (Arrizon's) important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. Latinas use writing and performance to address gender and sexuality within an ever--changing framework of their lives and history, redefining Latina identity and subjectivity. The Chicana/o theatrical tradition since the 1960s owes a debt to the popular Spanish--language vaudeville forms performed by Beatriz Escalona (La Chata Noloesca), the work of Josefina Niggli in community theater, and other performers who recognized the common core of their community as based on a consciousness of historical collectivity and pluralistic sensitivities. The Latina experience is broad and complex, and the term traversing in the title indicates a movement that induces the subject into an uncertain position, with transitions in identity and space. In Cross--Border Subjectivity and the Dramatic Text, Arrizón (Arrizon) addresses geopolitics and cultural survival in work by Milcha Sanchez--Scott, Dolores Prida, and Josefina Lopez; Self--Representation: Race, Ethnicity, and Queer Identity looks at the work of performance artists Monica Palacios and Alina Troyano/Carmelita Tropicana. Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper--division undergraduates through professionals."--E. C. Ramirez, St. Philip's College, Choice , February 2002, Arrizón's (Arrizon's) important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. Latinas use writing and performance to address gender and sexuality within an ever--changing framework of their lives and history, redefining Latina identity and subjectivity. The Chicana/o theatrical tradition since the 1960s owes a debt to the popular Spanish--language vaudeville forms performed by Beatriz Escalona (La Chata Noloesca), the work of Josefina Niggli in community theater, and other performers who recognized the common core of their community as based on a consciousness of historical collectivity and pluralistic sensitivities. The Latina experience is broad and complex, and the term traversing in the title indicates a movement that induces the subject into an uncertain position, with transitions in identity and space. In Cross--Border Subjectivity and the Dramatic Text, Arrizón (Arrizon) addresses geopolitics and cultural survival in work by Milcha Sanchez--Scott, Dolores Prida, and Josefina Lopez; Self--Representation: Race, Ethnicity, and Queer Identity looks at the work of performance artists Monica Palacios and Alina Troyano/Carmelita Tropicana. Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper--division undergraduates through professionals.
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
792/.089/68073
Synopsis
Latina Performance considers the emergence of a Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizon examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- nor first-world; they are feminists, but not quite "American style." This in-between-ness is precisely what has created Latina performance and performance studies, and has made "Latina" an allegory for dual national and artistic identities. Book jacket., Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality., "Latina Performance is a densely theorized treatment of rich materials." --MultiCultural Review "Arriz n's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." --Choice Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arriz n looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality., "Latina Performance is a densely theorized treatment of rich materials." --MultiCultural Review "Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." --Choice Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality., "Latina Performance is a densely theorized treatment of rich materials." ?MultiCultural Review "Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." ?Choice Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality.
LC Classification Number
PN2270.M48A77 1999
Item description from the seller
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- h***k (414)- Feedback left by buyer.Past monthVerified purchaseFast shipping and excellent condition
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Seller feedback (512,461)
- h***k (414)- Feedback left by buyer.Past monthVerified purchaseFast shipping and excellent condition
- v***g (343)- Feedback left by buyer.Past monthVerified purchaseLike new copy, well packaged
- c***h (41)- Feedback left by buyer.Past monthVerified purchaseAs described