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YOU'VE GOT TO BE CAREFULLY TAUGHT: LEARNING AND RELEARNING By Jerome Klinkowitz

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Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ... Read moreabout condition
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Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
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“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
0809324032
Book Title
You've Got to Be Carefully Taught: Learning and Relearning
ISBN
9780809324033

About this product

Product Identifiers

Publisher
Southern Illinois University Press
ISBN-10
0809324032
ISBN-13
9780809324033
eBay Product ID (ePID)
1896496

Product Key Features

Number of Pages
184 Pages
Publication Name
You've Got to Be Carefully Taught : Learning and Relearning Literature
Language
English
Subject
Teaching Methods & Materials / Reading & Phonics, Study & Teaching, Composition & Creative Writing, Teaching Methods & Materials / General
Publication Year
2001
Type
Textbook
Subject Area
Language Arts & Disciplines, Education
Author
Jerome Klinkowitz
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
14.3 Oz
Item Length
9.3 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
00-054764
Reviews
[I]s it possible that so many students find literature tedious because their teachers obviously, despite theatrics to the contrary, find it so? Klinkowitz's antidote for such ennui, as much an occupational hazard for teachers of literature as the bends are for deep-sea divers, has been to befriend and celebrate writers who are still among us, to demonstrate to himself and colleagues and students that literature defines itself as such to readers long before it is embalmed, if ever, by theses and syllabi."—Kurt Vonnegut, from the Foreword, [I]s it possible that so many students find literature tedious because their teachers obviously, despite theatrics to the contrary, find it so? Klinkowitz's antidote for such ennui, as much an occupational hazard for teachers of literature as the bends are for deep-sea divers, has been to befriend and celebrate writers who are still among us, to demonstrate to himself and colleagues and students that literature defines itself as such to readers long before it is embalmed, if ever, by theses and syllabi."— Kurt Vonnegut , from the Foreword, "[I]s it possible that so many students find literature tedious because their teachers obviously, despite theatrics to the contrary, find it so? Klinkowitz's antidote for such ennui, as much an occupational hazard for teachers of literature as the bends are for deep-sea divers, has been to befriend and celebrate writers who are still among us, to demonstrate to himself and colleagues and students that literature defines itself as such to readers long before it is embalmed, if ever, by theses and syllabi."-- Kurt Vonnegut , from the Foreword, "[I]s it possible that so many students find literature tedious because their teachers obviously, despite theatrics to the contrary, find it so? Klinkowitz's antidote for such ennui, as much an occupational hazard for teachers of literature as the bends are for deep-sea divers, has been to befriend and celebrate writers who are still among us, to demonstrate to himself and colleagues and students that literature defines itself as such to readers long before it is embalmed, if ever, by theses and syllabi."-Kurt Vonnegut, from the Foreword
Dewey Edition
21
Dewey Decimal
820/.71/1
Synopsis
Drawing on his own experience in the profession, veteran English professor Jerome Klinkowitz discusses the wrong ways of teaching literature before presenting his own method. He concludes that a historically-based ""story of English"" is the wrong narrative approach to studying literature., Drawing on his own experience in the profession, veteran English professor and internationally renowned scholar Jerome Klinkowitz sorts out the wrong ways of teaching literature before devising a new, successful method. Specifically, he concludes that a historically based story of English is precisely the wrong narrative approach to making sense of what literature does. Instead, Klinkowitz proposes a new method focused not on the product of literary writing but on the process of writing. Long involved with the making of contemporary literature, Klinkowitz shows how his classroom approach draws on the same strengths and inspirations writers use in the creation of literature. He involves students in the literary work as production.Despite almost universal agreement that literary studies fail both writers and students, solutions have been limited to suggestions by superstar theorists teaching cream-of-the-crop students at elite universities. Klinkowitz aims not at the elite but at the ordinary student in an introduction to literature class. His goal is to introduce teachers to a new philosophy of teaching literature and to further deepen students natural love for the subject. He also seeks to revive the love of fine writing in those whose joy in the subject fell victim to obtuse teaching methods. Uniquely, his is not an esoteric theory developed by the best academics for elite students but a commonsense approach that works well in the kind of schools most students attend.", Drawing on his own experience in the profession, veteran English professor and internationally renowned scholar Jerome Klinkowitz sorts out the wrong ways of teaching literature before devising a new, successful method. Specifically, he concludes that a historically based "story of English" is precisely the wrong narrative approach to making sense of what literature does. Instead, Klinkowitz proposes a new method focused not on the product of literary writing but on the process of writing. Long involved with the making of contemporary literature, Klinkowitz shows how his classroom approach draws on the same strengths and inspirations writers use in the creation of literature. He involves students in the literary work as production. Despite almost universal agreement that literary studies fail both writers and students, solutions have been limited to suggestions by superstar theorists teaching cream-of-the-crop students at elite universities. Klinkowitz aims not at the elite but at the ordinary student in an introduction to literature class. His goal is to introduce teachers to a new philosophy of teaching literature and to further deepen students' natural love for the subject. He also seeks to revive the love of fine writing in those whose joy in the subject fell victim to obtuse teaching methods. Uniquely, his is not an esoteric theory developed by the best academics for elite students but a commonsense approach that works well in the kind of schools most students attend.
LC Classification Number
PE64.K56A3 2001

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