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Albrecht Dürer and the Venetian Renaissance, Luber, Katherine Crawford, Very Goo
US $200.00
ApproximatelyRM 849.00
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Condition:
“Hardcover with good dust-jacket. A few pages have creased corners. Former owner's name penned on ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Forest Grove, Oregon, United States
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eBay item number:335927983169
Item specifics
- Condition
- Very Good
- Seller Notes
- Book Title
- Albrecht Dürer and the Venetian Renaissance
- ISBN
- 9780521562881
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521562880
ISBN-13
9780521562881
eBay Product ID (ePID)
596331
Product Key Features
Number of Pages
288 Pages
Language
English
Publication Name
Albrecht Dürer and the Venetian Renaissance
Subject
Individual Artists / General, Techniques / Painting, General, European, History / Renaissance
Publication Year
2005
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
24.7 Oz
Item Length
9.4 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
97-018153
Reviews
"The overall achievement of Luber's engaging book is to bring one to a closer, practical understanding of Dürer's relationship with Venetian art and art theory. More than this, she has provided the tools with which to consider fundamental questions about the relationship between praxis and thought, between technique and idea, questions that bring us to the very heart of the creative process." H-Net Andrew Morrall, Bard Graduate Center, New York, 'Dr Luber's concise and clearly argued book is a welcome addition to the Dürer literature.'Art Newspaper, 'Dr Luber's concise and clearly argued book is a welcome addition to the Drer literature.' Art Newspaper, 'Dr Luber's concise and clearly argued book is a welcome addition to the Dürer literature.' Art Newspaper
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
759.3
Table Of Content
1. Introduction; 2. Dürer's mythic and real presence in Italy: an argument against two separate journeys; 3. The Feast of the Rose Garlands I: Dürer's appropriation of Venetian painterly techniques; 4. The Feast of the Rose Garlands II: Dürer, Giovanni Bellini, and eristic imitation in the Renaissance; 5. The fulfillment of the old by the new: concordance of painterly technique, visual content, and hieratic tradition in the Virgin with the Pear; 6. Dürer's Maximilian portraits: an investi
Synopsis
Katherine Crawford Luber examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how DU rer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. She argues that this exploration unifies DU rer's work and necessitates a reassessment of the critical division between his painted and graphic work., This work examines twenty-five paintings by Dürer in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how Dürer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective., Albrecht Dürer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Dürer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. Luber also demonstrates how the Venetian alternative to 'scientific' perspective was integrated not only in Dürer's late paintings, but also in his later graphic oeuvre, which necessitates a reassessment of the critical partition of his painted and graphic work. Emphasizing Dürer's careful working methods, Luber argues that technique is an interpretable and critically important aspect of art works that should be integrated into mainstream art historical studies., Katherine Crawford Luber examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how DÜrer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. She argues that this exploration unifies DÜrer's work and necessitates a reassessment of the critical division between his painted and graphic work., Katherine Crawford Luber examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how DUrer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. She argues that this exploration unifies DUrer's work and necessitates a reassessment of the critical division between his painted and graphic work.
LC Classification Number
ND588.D9 L73 2005
Item description from the seller
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