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2020 The Impressionists and Photography by Paloma Alarco English Hardcover Book
US $44.00
ApproximatelyRM 188.24
Condition:
“Tight Binding. Minor cover wear. Slight ripple to pages. Please see final photos.”
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Shipping:
US $8.38 (approx RM 35.85) USPS Media MailTM.
Located in: Neenah, Wisconsin, United States
Delivery:
Estimated between Thu, 7 Aug and Thu, 14 Aug to 94104
Returns:
No returns accepted.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:335667189331
Item specifics
- Condition
- Good
- Seller Notes
- “Tight Binding. Minor cover wear. Slight ripple to pages. Please see final photos.”
- Type
- Does not apply
- ISBN-13
- 9788417173340
- Book Series
- Historical
- Narrative Type
- Nonfiction
- ISBN
- 9788417173340
About this product
Product Identifiers
Publisher
Fundacion Coleccion Thyssen-Bornemisza
ISBN-10
841717334X
ISBN-13
9788417173340
eBay Product ID (ePID)
8038417011
Product Key Features
Book Title
Impressionists and Photography
Number of Pages
288 Pages
Language
English
Topic
History / Modern (Late 19th Century to 1945), History
Publication Year
2020
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
51.3 Oz
Item Length
11 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Synopsis
How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century., How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography s capacity for naturalistic reproduction threatened one traditional function of painting, the camera s artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography s historical relationship to the other visual arts. The Impressionists and Photography pursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography s emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
Text by
Alarcó, Paloma
Item description from the seller
Seller feedback (3,162)
- g***y (50)- Feedback left by buyer.Past monthVerified purchaseShipping & everything was great no problem packaging as described Value loved it
- l***k (795)- Feedback left by buyer.Past monthVerified purchaseEverything was absolutely perfect !! Thank you for this beautiful piece of the past, fast shipping, careful packaging and kind messages. :) highly recommended seller !!!
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