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Modern Art in Egypt: Identity and Independence, 1850-1936 by Mostafa HB=#
US $100.53
ApproximatelyRM 425.67
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
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Located in: MD, United States
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eBay item number:333784144826
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- PublishedOn
- 2020-07-23
- Title
- Modern Art in Egypt: Identity and Independence, 1850-1936
- Artist
- Not Specified
- Type
- Not Specified
- Publication Name
- Not Specified
- ISBN
- 9781838601096
About this product
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
1838601090
ISBN-13
9781838601096
eBay Product ID (ePID)
25038536161
Product Key Features
Book Title
Modern Art in Egypt : Identity and Independence, 1850-1936
Number of Pages
328 Pages
Language
English
Topic
History / Modern (Late 19th Century to 1945), Middle Eastern, Middle East / Egypt (See Also Ancient / Egypt)
Publication Year
2020
Illustrator
Yes
Genre
Art, History
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
54 Oz
Item Length
11.1 in
Item Width
9.6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.6209034
Table Of Content
INTRODUCTION PART ONE REACHING FOR MODERNITY: A MULTICULTURAL RENAISSANCE CHAPTER 1: al - Nahda : The Building Blocks of a By-Product 1.1. Producing Knowledge 1.2. Cosmopolitanism and Mass Media CHAPTER 2: EGYPT AS EXHIBITION 2.1. European Orientalism: The Art of the Other and the Foreign Complex 2.2. Orientalizing a New Industry: Villa Medici, Cercle Artistique and Exposition du Caire CHAPTER 3: ART AND ISLAM PART TWO FUNUN JAMILA: PATRONS, A STATE AND A NEW SOCIAL PLAYER CHAPTER 4: The Patrons 4.1. The Egyptian School of Fine Arts in Cairo 4.2. Société des amis de l'art, Salon du Caire and Atelier of Alexandria 4.3. La Chimère and the Art Advocacy Group 4.4. Cultural Salons and the Woman Question CHAPTER 5: The State 5.1. Building an Infrastructure 5.2. The Museum of Modern Art 5.3. Mohammed Mahmoud Khalil and his eponymous museum 5.4. Conclusion CHAPTER 6: The Artist-The Emergence of a new social player 6.1. Egypt for Egyptians 6.2. Innovators vs. Conformists PART THREE AL-RUWWAD: THE FIRST-GENERATION INNOVATORS 7. Georges Sabbagh (1887-1951): The (E)migrant Son 8. Mohamed Naghi (1888-1956): Naghi d'Alexandrie 9. Mahmoud Mokhtar (1891-1934): The Hyphen between Ancient and Modern 10. Ragheb Ayad (1892-1982): The Godfather of the Egyptian Gaze 11. Mahmoud Saïd (1897-1964): In Search of a Happy Island 12. Marguerite Nakhla (1908-1977): Life as it should be CONCLUSION Decoding 1930s Egypt: The Seeds of the Naksa TIMELINE ENDNOTES BIBLIOGRAPHY INDEX
Synopsis
Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement , this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.
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