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Brian Eno's Another Green World (33 1/3), Dayal 9780826427861 Free Shipp PB=#

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
PublishedOn
2010-01-01
ISBN
9780826427861
EAN
9780826427861
Book Title
Brian Eno's Another Green World
Book Series
33 1/3 Ser.
Publisher
Bloomsbury Academic & Professional
Item Length
6.4 in
Publication Year
2009
Format
Trade Paperback
Language
English
Item Height
0.5 in
Author
Geeta Dayal
Genre
Biography & Autobiography, Music
Topic
History & Criticism, Composers & Musicians, Genres & Styles / Rock
Item Weight
4.2 Oz
Item Width
4.8 in
Number of Pages
134 Pages

About this product

Product Information

The serene, delicate songs on Another Green World sound practically meditative, but the album itself was an experiment fueled by adrenaline, panic, and pure faith. It was the first Brian Eno album to be composed almost completely in the confines of a recording studio, over a scant few months in the summer of 1975. The album was a proof of concept for Eno's budding ideas of the studio as musical instrument, and a signpost for a bold new way of thinking about music. In this book, Geeta Dayal unravels Another Green World's abundant mysteries, venturing into its dense thickets of sound. How was an album this cohesive and refined formed in such a seemingly ad hoc way? How were electronics and layers of synthetic treatments used to create an album so redolent of the natural world? How did a deck of cards figure into all of this? Here, through interviews and archival research, she unearths the strange story of how Another Green World formed the link to Eno's future -- foreshadowing his metamorphosis from unlikely glam rocker to sonic painter and producer.

Product Identifiers

Publisher
Bloomsbury Academic & Professional
ISBN-10
0826427863
ISBN-13
9780826427861
eBay Product ID (ePID)
60087163

Product Key Features

Book Title
Brian Eno's Another Green World
Number of Pages
134 Pages
Language
English
Topic
History & Criticism, Composers & Musicians, Genres & Styles / Rock
Publication Year
2009
Genre
Biography & Autobiography, Music
Author
Geeta Dayal
Book Series
33 1/3 Ser.
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
4.2 Oz
Item Length
6.4 in
Item Width
4.8 in

Additional Product Features

Reviews
It's as much a philosophy book as a "Behind the Music" breakdown, and an invitation to think creatively about creativity., The book itself is a masterpiece; it's not just a book about the making of a record, it's a book about how to make art and how to think about how to make art., Dayal's unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated., &"Dayal's lucid, elegant deconstruction of Brian Eno's most beguiling album is also an inspiring, delightful inquiry into the nature of creativity and constraint. Anyone interested in art making needs to read this.&" �Ed Park, author of Personal Days, Selected by Flavorwire as one of "10 Great Books about Music by Female Writers" http://flavorwire.com/features/staff-lists/7967-words-and-music-our-60-favorite-music-books/3/, "Dayal's unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated." -Flagpole Magazine, As a study of Another Green World it's impressively holistic, hungry to catalogue every possible point of departure for thinking about the record ... the best short introduction to Eno's work and ethos going, Eno's use of collaboration, chance, and cybernetics to force creativity makes for a fascinating story....Eno himself apparently loved the book, buying copies for friends. This isn't surprising- an interest in process has been a constant of his work for four decades., &"Dayal's unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated.&" -Flagpole Magazine, The book itself is a masterpiece; it's not just a book about the making of a record, it's a book about how to make art and how to think about how to make art. - Amanda Palmer, The book itself is a masterpiece; it's not just a book about the making of a record, it's a book about how to make art and how to think about how to make art. - Amanda Palmer Eno's use of collaboration, chance, and cybernetics to force creativity makes for a fascinating story....Eno himself apparently loved the book, buying copies for friends. This isn't surprising an interest in process has been a constant of his work for four decades. - Pitchfork The prose is elegant, the sheer scope of the work impressive, and the meditation on the source of creativity is both well done and light-handed. - Flavorpill As a study of Another Green World it's impressively holistic, hungry to catalogue every possible point of departure for thinking about the record … the best short introduction to Eno's work and ethos going. - The Wire It's as much a philosophy book as a "Behind the Music" breakdown, and an invitation to think creatively about creativity. - The Millions Dayal's unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated. - Flagpole, The prose is elegant, the sheer scope of the work impressive, and the meditation on the source of creativity is both well done and light-handed., "Dayal's lucid, elegant deconstruction of Brian Eno's most beguiling album is also an inspiring, delightful inquiry into the nature of creativity and constraint. Anyone interested in art making needs to read this." "Ed Park, author of Personal Days
Dewey Edition
22
Lccn
2010-291644
Target Audience
Trade
Dewey Decimal
781.64092
Lc Classification Number
Ml420.E
Table of Content
Introduction Preface "Always first steps" "Trust in the you of now" "Turn it upside down" "Courage!" "Abandon normal instruments" "Discover the recipes you are using and abandon them" "Ask people to work against their better judgment" "Define an area as 'safe' and use it as an anchor" / "Don't be frightened of clichés" "Honor thy error as a hidden intention" "Remember those quiet evenings" / "The tape is now the music" / "Gardening, not architecture" "Remove specifics and convert to ambiguities" "Is it finished?" Acknowledgements Bibliography
Copyright Date
2008

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