Wagnerism: Art and Politics in the Shadow of Music, Ross, Alex, 9781250800084

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781250800084
Category

About this product

Product Identifiers

Publisher
Picador
ISBN-10
1250800080
ISBN-13
9781250800084
eBay Product ID (ePID)
24050086188

Product Key Features

Book Title
Wagnerism : Art and Politics in the Shadow of Music
Number of Pages
784 Pages
Language
English
Publication Year
2021
Topic
History & Criticism, Genres & Styles / Opera, Europe / General
Illustrator
Yes
Genre
Music, History
Author
Alex Ross
Format
Trade Paperback

Dimensions

Item Height
1.4 in
Item Weight
20.8 Oz
Item Length
8.2 in
Item Width
5.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-012449
Dewey Edition
23
Dewey Decimal
782.1092
Table Of Content
Prelude: Death in Venice 1. Rheingold: Wagner, Nietzsche, and the Ring 2. Tristan Chord: Baudelaire and the Symbolists 3. Swan Knight: Victorian Britain and Gilded Age America 4. Grail Temple: Esoteric, Decadent, and Satanic Wagner 5. Holy German Art: The Kaiserreich and Fin-de-Siècle Vienna 6. Nibelheim: Jewish and Black Wagner 7. Venusberg: Feminist and Gay Wagner 8. Brünnhilde's Rock: Willa Cather and the Singer-Novel 9. Magic Fire: Modernism, 1900 to 1914 10. Nothung: The First World War and Hitler's Youth 11. Ring of Power: Revolution and Russia 12. Flying Dutchman: Ulysses , The Waste Land , The Waves 13. Siegfried's Death: Nazi Germany and Thomas Mann 14. Ride of the Valkyries: Film from The Birth of a Nation to Apocalypse Now 15. The Wound: Wagnerism After 1945
Synopsis
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise , reveals how Richard Wagner became the proving ground for modern art and politics--an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung , Tristan und Isolde , and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism , Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner's many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now . In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
LC Classification Number
ML410.W13R77 2020

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