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The Idea of Form: Rethinking Kant's Aesthetics by Rodolphe Gasch - Very Good

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Very Good
Has the previous owners name written on the first page, but there are no other markings in the book. ... Read moreabout condition
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Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Has the previous owners name written on the first page, but there are no other markings in the ...
Book Title
The Idea of Form
ISBN-13
9780804746212
ISBN
9780804746212

About this product

Product Identifiers

Publisher
Stanford University Press
ISBN-10
0804746214
ISBN-13
9780804746212
eBay Product ID (ePID)
2300334

Product Key Features

Number of Pages
272 Pages
Publication Name
Idea of Form : Rethinking Kant's Aesthetics
Language
English
Publication Year
2002
Subject
Individual Philosophers, Aesthetics
Type
Textbook
Author
Rodolphe Gasche
Subject Area
Philosophy
Series
Cultural Memory in the Present Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
14.7 Oz
Item Length
8.2 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2002-007739
Reviews
"The book reads very well and does a wonderful job of unfolding and disentangling Kant's dense and very complex arguments. In addition to philosophers, it will be of interest to those working in literary criticism, art theory, and political theory." —Dennis Schmidt,Villanova University, "The book reads very well and does a wonderful job of unfolding and disentangling Kant's dense and very complex arguments. In addition to philosophers, it will be of interest to those working in literary criticism, art theory, and political theory." -Dennis Schmidt,Villanova University, "The book reads very well and does a wonderful job of unfolding and disentangling Kant's dense and very complex arguments. In addition to philosophers, it will be of interest to those working in literary criticism, art theory, and political theory." --Dennis Schmidt,Villanova University
TitleLeading
The
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
111/.85/092
Synopsis
Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation (Darstellung) in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the Critique of Judgment--such as disinterestedness, free play, the sublime, genius, and beautiful arts--are examined by the author and shown in a new light., Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques . Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation ( Darstellung ) in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the Critique of Judgment --such as disinterestedness, free play, the sublime, genius, and beautiful arts--are examined by the author and shown in a new light.
LC Classification Number
B2799

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