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Traditional Music and Irish Society: Historical Perspectives Autog By Dowling

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
Book Title
Traditional Music and Irish Society: Historical Perspectives (Ash
Personalized
Yes
Subject
Music
ISBN
9781409435105

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
1409435105
ISBN-13
9781409435105
eBay Product ID (ePID)
177708215

Product Key Features

Number of Pages
368 Pages
Publication Name
Traditional Music and Irish Society: Historical Perspectives
Language
English
Publication Year
2014
Subject
History & Criticism, Genres & Styles / Folk & Traditional, Europe / Great Britain / General
Type
Textbook
Author
Martin Dowling
Subject Area
Music, History
Series
Ashgate Popular and Folk Music Ser.
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
16 Oz
Item Length
9.4 in
Item Width
6.5 in

Additional Product Features

Intended Audience
College Audience
LCCN
2013-036154
Illustrated
Yes
Table Of Content
Contents: Introduction: modernity and tradition; The eighteenth-century inheritance; Foundations of a modern tradition; Music in the revival: the Feis Ceoil, the Gaelic League, and the Pipers; James Joyce and traditional song; Traditional music and the peace process in Northern Ireland; Bibliography; Indexes.
Synopsis
These essays investigate the relation of traditional music to Irish modernity. The author integrates a survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins and he argues that the formation of Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce. Dowling concludes with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland., Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce's short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
LC Classification Number
ML3654

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